Many passages already quoted from his letters to friends prove this. The “_misceor feminis_” and the “three wives” on his hands were unbecoming jokes. Kawerau, the historian of Luther, admits the “cynicism of his language”[363] and this unpleasing quality, which is more particularly noticeable when he becomes abusive, is also to be met with even elsewhere, especially in the years which we are now considering.
Luther, for instance, jocosely speaks of himself as a virgin, “_virgo_,” and, in a letter to Spalatin where he refers playfully to his own merry and copious tippling at a christening at Schweinitz, he says: “These three virgins were present [Luther, Jonas and his wife], certainly Jonas [as a virgin], for as he has no child we call him the virgin.”[364] Jonas, one of the priests who married, had celebrated his nuptials February 22, 1522.
On account of his habit of making fun Luther’s friends called him a “merry boon companion.”
No one could, of course, blame his love of a joke, but his jokes were sometimes very coarse; for instance, that concerning his friend Jonas in his letter of February 10, 1525, to Spalatin, of which the tone is indelicate, to say the least, even if we make all allowance for the age and for the customs in vogue among the Wittenberg professors. Jonas, he there says, was accustomed to write his letters on paper which had served the basest of services; he (Luther) was, however, more considerate for his friends. “Farewell,” he concludes, “and give my greetings to the fat husband Melchior [Meirisch, the stout Augustinian Prior of Dresden, who had married on February 6]; my wishes for him are, that his wife may prove very obedient; she really ought to drag him by the hair seven times a day round the market-place and, at night, as he richly deserves, ‘_bene obtundat connubialibus verbis_.’”[365]
The reference in this letter to Carlstadt and his “familiar demon” (a fanatical monk who was given to prophesying) calls to mind the indecent language in which Luther assailed the Anabaptists and “fanatics” during those years. He makes great fun at the expense of the “nackte Braut von Orlamünde” and her amorous lovers, referring, in language which is the reverse of modest, to a ludicrous, mystical work produced by the “fanatics.”[366]
