Certainly if we of the twentieth century can agree upon any one thing, it is this: That life without toil is a crime, and that any one who enjoys leisure and comfort and the luxuries of living without paying the price of toil is a social parasite. I believe that it is an important function of public education to impress upon each generation the highest ideals of living as well as the arts that are essential to the making of a livelihood, but I wish to protest against the doctrine that these two factors stand over against one another as the positive and negative poles of human existence. In other words, I protest against the notion, that the study of the practical everyday problems of human life is without what we are pleased to call a culture value,--that in the proper study of those problems one is not able to see the operation of fundamental and eternal principles.
I shall readily agree that there is always a grave danger that the trivial and temporary objects of everyday life may be viewed and studied without reference to these fundamental principles. But this danger is certainly no greater than that the permanent and eternal truths be studied without reference to the actual, concrete, workaday world in which we live. I have seen exercises in manual training that had for their purpose the perfection of the pupil in some little art of joinery for which he would, in all probability, have not the slightest use in his later life. But even if he should find use for it, the process was not being taught in the proper way. He was being made conscious only of the little trivial thing, and no part of his instruction was directed toward the much more important, fundamental lesson,--the lesson, namely, that "a little thing may be perfect, but that perfection itself is not a little thing."
I say that I have witnessed such an exercise in the very practical field of manual training. I may add that I went through several such exercises myself, and emerged with a disgust that always recurs to me when I am told that every boy will respond to the stimulus of the hammer and the jack plane. But I should hasten to add that I have also seen what we call the humanities so taught that the pupil has emerged from them with a supreme contempt for the life of labor and a feeling of disgust at the petty and trivial problems of human life which every one must face. I have seen art and literature so taught as to leave their students not with the high purpose to mold their lives in accordance with the high ideals that art and literature represent, not the firm resolution to do what they could to relieve the ugliness of the world where they found it ugly, or to do what they could to ennoble life when they found it vile; but rather with an attitude of calm superiority, as if they were in some way privileged to the delights of æsthetic enjoyment, leaving the baser born to do the world's drudgery.