In Wolfe's siege of Quebec this Ursuline Garden of ours was everywhere torn up by the falling bombs, and the sisters were driven out into the world they had forsaken forever, as Fanny has been reading in a little French account of the events, written at the time, by a nun of the General Hospital. It was there the Ursulines took what refuge there was; going from their cloistered school-rooms and their innocent little ones to the wards of the hospital, filled with the wounded and dying of either side, and echoing with their dreadful groans. What a sad, evil, bewildering world they had a glimpse of! In the garden here, our poor Montcalm--I belong to the French side, please, in Quebec--was buried in a grave dug for him by a bursting shell. They have his skull now in the chaplain's room of the convent, where we saw it the other day. They have made it comfortable in a glass box, neatly bound with black, and covered with a white lace drapery, just as if it were a saint's. It was broken a little in taking it out of the grave; and a few years ago, some English officers borrowed it to look at, and were horrible enough to pull out some of the teeth. Tell Uncle Jack the head is very broad above the ears, but the forehead is small.
The chaplain also showed us a copy of an old painting of the first convent, Indian lodges, Madame de la Peltrie's house, and Madame herself, very splendidly dressed, with an Indian chief before her, and some French cavaliers riding down an avenue towards her. Then he showed us some of the nuns' work in albums, painted and lettered in a way to give me an idea of old missals. By and by he went into the chapel with us, and it gave such a queer notion of his indoors life to have him put on an overcoat and india-rubbers to go a few rods through the open air to the chapel door: he had not been very well, he said. When he got in, he took off his hat, and put on an octagonal priest's cap, and showed us everything in the kindest way--and his manners were exquisite. There were beautiful paintings sent out from France at the time of the Revolution; and wood-carvings round the high-altar, done by Quebec artists in the beginning of the last century; for he said they had a school of arts then at St. Anne's, twenty miles below the city. Then there was an ivory crucifix, so life-like that you could scarcely bear to look at it. But what I most cared for was the tiny twinkle of a votive lamp which he pointed out to us in one corner of the nuns' chapel: it was lit a hundred and fifty years ago by two of our French officers when their sister took the veil, and has never been extinguished since, except during the siege of 1759. Of course, I think a story might be written about _this_; and the truth is, the possibilities of fiction in Quebec are overpowering; I go about in a perfect haze of romances, and meet people at every turn who have nothing to do but invite the passing novelist into their houses, and have their likenesses done at once for heroes and heroines. They needn't change a thing about them, but sit just as they are; and if this is in the present, only think how the whole past of Quebec must be crying out to be put into historical romances!