Alexandre Michel Gérard Desplat (; born 23 August 1961) is a French film composer and conductor. He has received numerous accolades throughout his career spanning over four decades, including, two Academy Awards, three British Academy Film Awards, three César Awards, two Golden Globe Awards, and two Grammy Awards. Desplat was made an Officer of the Ordre national du Mérite and a Commander of the Ordre des Arts et des Lettres both in 2016.

Desplat has received two Academy Awards for Best Original Score for The Grand Budapest Hotel (2014) and The Shape of Water (2017). He also received nominations for his work on The Queen (2006), The Curious Case of Benjamin Button (2008), Fantastic Mr. Fox (2009), The King's Speech (2010), Argo (2012), Philomena (2013), The Imitation Game (2014), Isle of Dogs (2018), and Little Women (2019).

Alexandre Desplat

Desplat has composed scores for a wide range of films, including low-budget independent productions and large-scale blockbusters, such as The Golden Compass (2007), Mr. Magorium's Wonder Emporium (2008), The Twilight Saga: New Moon (2009), Harry Potter and the Deathly Hallows – Part 1 (2010), & Part 2 (2011), Moonrise Kingdom (2012), Zero Dark Thirty (2012), Godzilla (2014), Unbroken (2014), The Secret Life of Pets (2016), The Midnight Sky (2020), The French Dispatch (2021), and Guillermo del Toro's Pinocchio (2022).

Alexandre Desplat

Early life

Alexandre Desplat was born in Paris. His father, Jacques Desplat, was a Frenchman originally from Sarlat-la-Canéda. His mother, Katie Ladopoulou, is a Greek poet originally from Athens. Desplat's parents had met in the United States while they were both students at the University of California, Berkeley. They married in San Francisco and returned to France, settling in Paris. Alexandre has two older sisters, Marie-Christine (also known as Kiki) and Rosalinda.

Alexandre Desplat

Desplat began playing the piano at the age of five. He later picked up the trumpet, before switching to flute at nine. Desplat's musical interests were wide, ranging from French composers as Maurice Ravel and Claude Debussy, to jazz and world music. He developed an early appreciation for film music, courtesy of the movie soundtracks his parents brought back from the United States. He began collecting Bernard Herrmann's Hitchcock soundtracks as a teen and eventually decided to pursue a career as a film composer after hearing John Williams's Star Wars score in 1977. Other early sources of Desplat's inspiration include the music of Maurice Jarre, Nino Rota and Georges Delerue.

Desplat studied at the Conservatoire de Paris under Claude Ballif. During this period, he also took a summer course under Iannis Xenakis. Desplat also studied under Jack Hayes in Los Angeles. After leaving the Conservatoire, the then 20-year-old Desplat joined a theatrical troupe, where he wrote and played music.

When recording the music for his first film, he met violinist Dominique Lemonnier, who became his favorite soloist and artistic director. They later married.

Desplat has worked on many films since the 1990s. His big Hollywood break came in 2003 with the soundtrack for the film Girl with a Pearl Earring, a drama set in 17th-century Delft exploring a fictional muse of Vermeer.

Career

Desplat has composed extensively for French cinema, Hollywood, and incidental music for over 100 films, including Lapse of Memory (1992), Family Express (1992), Regarde Les Hommes Tomber (1994), Les Péchés Mortels (1995), César-nominated Un Héros Très Discret (1996), Une Minute de Silence (1998), Sweet Revenge (1998), Le Château des Singes (1999), Reines d'un Jour (2001), the César-nominated Sur mes lèvres (2002), Rire et Châtiment (2003), Syriana (2005), the César-winner The Beat That My Heart Skipped (2005), The Queen (2006), Fantastic Mr. Fox (2009), Harry Potter and the Deathly Hallows – Part 1 (2010), The Ghost Writer (2010), Daniel Auteuil's remake of La Fille du Puisatier (2011), Harry Potter and the Deathly Hallows – Part 2 (2011) and The Grand Budapest Hotel (2014).

Desplat has composed individual songs that have been sung in films by such artists as Akhenaton, Kate Beckinsale, Charlotte Gainsbourg, Valérie Lemercier, Miosotis and Catherine Ringer. He has also written music for the theatre, including pieces performed at the Comédie Française. Desplat has conducted performances of his music played by the London Symphony Orchestra, the Royal Philharmonic Orchestra and the Munich Symphony Orchestra. Desplat has also given Master Classes at La Sorbonne in Paris and the Royal College of Music in London.