Gerald Raphael Finzi (14 July 1901 – 27 September 1956) was a British composer. Finzi is best known as a choral composer, but also wrote in other genres. Large-scale compositions by Finzi include the cantata Dies natalis for solo voice and string orchestra, and his concertos for cello and clarinet.
Life
Gerald Finzi was born in London, the son of John Abraham (Jack) Finzi and Eliza Emma (Lizzie) Leverson. Finzi became one of the most characteristically "English" composers of his generation. Despite his being an agnostic of Jewish descent, several of his choral works incorporate Christian texts.
Finzi's father, a successful shipbroker, died a fortnight before his son's eighth birthday. Finzi was educated privately. During World War I the family settled in Harrogate, and Finzi began to study music at Christ Church, High Harrogate, under Ernest Farrar from 1915. Farrar, a former pupil of Stanford, was then aged thirty and he described Finzi as "very shy, but full of poetry". Finzi found him a sympathetic teacher, and Farrar's death at the Western Front affected him deeply.
During those formative years, Finzi also suffered the loss of all three of his brothers, adversities that contributed to Finzi's bleak outlook on life. He found solace in the poetry of Thomas Traherne and his favorite, Thomas Hardy, whose poems, as well as those by Christina Rossetti, he began to set to music. In the poetry of Hardy, Traherne, and later William Wordsworth, Finzi was attracted by the recurrent motif of the innocence of childhood corrupted by adult experience. From the very beginning most of his music was elegiac in tone.
Finzi was, at one time, a vegetarian but gave it up and favoured eggs, fish and sometimes bacon or chicken.
1918–33: Studies and early compositions
After Farrar's death, Finzi studied privately at York Minster with the organist and choirmaster Edward Bairstow, a strict teacher compared with Farrar. In 1922, after five years of study with Bairstow, Finzi moved to Painswick in Gloucestershire, where he began composing in earnest. His first Hardy settings, and the orchestral piece A Severn Rhapsody, were soon performed in London to favourable reviews.
In 1925, at the suggestion of Adrian Boult, Finzi took a course in counterpoint with R. O. Morris and then moved to London, where he became friendly with Howard Ferguson and Edmund Rubbra. He was also introduced to Gustav Holst, Arthur Bliss and Ralph Vaughan Williams. Vaughan Williams obtained a teaching post (1930–1933) for him at the Royal Academy of Music.
1933–39: Musical development
Finzi never felt at home in London and, having married the artist Joyce Black, settled with her in Aldbourne, Wiltshire, where he devoted himself to composing and apple-growing, saving a number of rare English apple varieties from extinction. He also amassed a large library of some 3,000 volumes of English poetry, philosophy and literature, now kept at the University of Reading, and a collection (some 700 volumes including books, manuscripts and printed scores) of 18th-century English music, now held by the University of St Andrews.
During the 1930s, Finzi composed only a few works, but it was in them, notably the cantata Dies natalis (1939) to texts by Thomas Traherne, that his fully mature style developed. He also worked on behalf of the poet-composer Ivor Gurney, who had been committed to a mental hospital. Finzi and his wife catalogued and edited Gurney's works for publication. They also studied and published English folk music and music by older English composers such as William Boyce, Capel Bond, John Garth, Richard Mudge, John Stanley and Charles Wesley.
In 1939, the Finzis moved to Ashmansworth in Hampshire, where he founded the Newbury String Players, an amateur chamber orchestra that he conducted until his death, reviving 18th-century string music, as well as giving premieres of works by his contemporaries and offering talented young musicians such as Julian Bream and Kenneth Leighton the chance to perform.
1939–56: Growth of reputation
The outbreak of World War II delayed the first performance of Dies natalis at the Three Choirs Festival, an event that could have established Finzi as a major composer. He was directed to work at the Ministry of War Transport and lodged German and Czech refugees in his home. After the war, he became somewhat more productive than before, writing several choral works as well as the Clarinet Concerto (1949), perhaps his most popular work today.