* The English engineers have succeeded in barring out the sand, and have prevented it from pouring over the cliff any more.--Ed.
Seti had worked indefatigably at Thebes, but the shortness of his reign prevented him from completing the buildings he had begun there. There existed everywhere, at Luxor, at Karnak, and on the left bank of the Nile, the remains of his unfinished works; sanctuaries partially roofed in, porticoes incomplete, columns raised to merely half their height, halls as yet imperfect with blank walls, here and there covered with only the outlines in red and black ink of their future bas-reliefs, and statues hardly blocked out, or awaiting the final touch of the polisher.
* This is the description which Ramses gave of the condition in which he found the Memnonium of Abydos. An examination of the inscriptions existing in the Theban temples which Seti I. had constructed, shows that it must have applied also to the appearance of certain portions of Qurneh, Luxor, and Karnak in the time of Ramses II.
Ramses took up the work where his father had relinquished it. At Luxor there was not enough space to give to the hypostyle hall the extension which the original plans proposed, and the great colonnade has an unfinished appearance.
[Illustration: 230.jpg COLUMNS OF TEMPLE AT LUXOR]
The Nile, in one of its capricious floods, had carried away the land upon which the architects had intended to erect the side aisles; and if they wished to add to the existing structure a great court and a pylon, without which no temple was considered complete, it was necessary to turn the axis of the building towards the east.
[Illustration: 233.jpg THE CHAPEL OF THUTMOSIS III. AND ONE OF THE PYLONS OF RAMSES II. AT LUXOR]
Drawn by Faucher-Gudin, from a photograph by Beato.
In their operations the architects came upon a beautiful little edifice of rose granite, which had been either erected or restored by Thûtmosis III. at a time when the town was an independent municipality and was only beginning to extend its suburban dwellings to meet those of Karnak. They took care to make no change in this structure, but set to work to incorporate it into their final plans. It still stands at the north-west corner of the court, and the elegance of its somewhat slender little columns contrasts happily with the heaviness of the structure to which it is attached. A portion of its portico is hidden by the brickwork of the mosque of Abul Haggag: the part brought to light in the course of the excavations contains between each row of columns a colossal statue of Ramses II. We are accustomed to hear on all sides of the degeneracy of the sculptors art at this time, and of its having fallen into irreparable neglect. Nothing can be further from the truth than this sweeping statement. There are doubtless many statues and bas-reliefs of this epoch which shock us by their crudity and ugliness, but these owed their origin for the most part to provincial workshops which had been at all times of mediocre repute, and where the artists did not receive orders enough to enable them to correct by practice the defects of their education. We find but few productions of the Theban school exhibiting bad technique, and if we had only this one monument of Luxor from which to form our opinion of its merits, it would be sufficient to prove that the sculptors of Ramses II. were not a whit behind those of Harmham or Seti I. Adroitness in cutting the granite or hard sandstone had in no wise been lost, and the same may be said of the skill in bringing out the contour and life-like action of the figure, and of the art of infusing into the features and demeanour of the Pharaoh something of the superhuman majesty with which the Egyptian people were accustomed to invest their monarchs. If the statues of Ramses II. in the portico are not perfect models of sculpture, they have many good points, and their bold treatment makes them effectively decorative.