The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queen's Day. The tilts combined theatrical elements with jousting, in which Elizabeth's courtiers competed to outdo each other in allegorical armour and costume, poetry, and pageantry to exalt the queen and her realm of England.
The last Elizabethan Accession Day tilt was held in November 1602; the queen died the following spring. Tilts continued as part of festivities marking the Accession Day of James I, 24 March, until 1624, the year before his death.
Origins
Sir Henry Lee of Ditchley, Queen's Champion, devised the Accession Day tilts, which became the most important Elizabethan court festival from the 1580s. The celebrations are likely to have begun somewhat informally in the early 1570s. By 1581, the Queen's Day tilts "had been deliberately developed into a gigantic public spectacle eclipsing every other form of court festival", with thousands in attendance; the public were admitted for a small charge. Lee himself oversaw the annual festivities until he retired as Queen's Champion at the tilt of 1590, handing over the role to George Clifford, 3rd Earl of Cumberland. Following Lee's retirement, orchestration of the tilts fell to the Earl of Worcester in his capacity of Master of Horse and to the queen's favourite, the Earl of Essex, although Lee remained as a sort of Master of Ceremonies at the request of the queen.
The pageants were held at the tiltyard at the Palace of Whitehall, where the royal party viewed the festivities from the Tiltyard Gallery. The Office of Works constructed a platform with staircases below the gallery to facilitate presentations to the queen.
Participants
Knights
Tilt lists for the Accession Day pageants have survived; these establish that the majority of the participating jousters came from the ranks of the Queen's Gentlemen Pensioners. Entrants included such powerful members of the court as the Earl of Bedford, the Earl of Oxford, the Earl of Southampton, Lord Howard of Effingham, and the Earl of Essex. Many of those participating had seen active service in Ireland or on the Continent, but the atmosphere of romance and entertainment seems to have predominated over the serious military exercises that were medieval tournaments. Sir James Scudamore, a knight who tilted in the 1595 tournament, was immortalised as "Sir Scudamour" in Book Four of The Faerie Queene by Edmund Spenser.
Knights participating in the spectacle entered in pageant cars or on horseback, disguised as some heroic, romantic, or metaphorical figure, with their servants in fancy dress according to the theme of the entry. A squire presented a pasteboard pageant shield decorated with the character's device or impresa to the Queen and explained the significance of his disguise in prose or poetry. Entrants went to considerable expense to devise themes, order armour and costumes for their followers, and in some cases to hire poets or dramatists and even professional actors to carry out their programmes.
Classical, pastoral, and Arthurian settings were typically combined with story lines flattering to the queen, but serious subtexts were common, especially among those who used these occasions to express public contrition or desolation for having aroused the queen's displeasure, or to plead for royal favour. In the painting on the left, Essex wears black (sable) armour, which he wore as part of his 1590 entrance to the tilts. At this particular tilt, Essex entered as the head of a funeral procession, carried on a bier by his attendants. This was meant to atone for his failure to subdue Ireland, but Elizabeth was not impressed and did not forgive him readily.