“You really do,” Emmy nodded. “Not a very cheerful thing to have staring at one day and night, is it?”

Sometimes--and this to my Uncle Spencer was inexpressibly painful--she would even bring in some third person to share the sport at his expense; she would associate the bank clerk, the opera singer, or the journalist in her mocking laughter. The teasing which, in the first days, had been so light and affectionate, became cruel.

Little Mexican & Other Stories — Part 52

Emmy would have been distressed, no doubt, if she had known how much she hurt him. But he did not complain. All she knew was that my Uncle Spencer was ridiculous. The temptation to say something smart and disagreeable about him was irresistible.

Little Mexican & Other Stories — Part 52

To my Uncle Spencer’s company she now preferred that of the journalist, the bank clerk, and the opera singer. With the bank clerk she talked about West End actors and actresses, music-hall artists, and cinema stars. True, he was not much of a gentleman; but on this absorbing subject he was extremely knowledgeable. The singer revealed to her the gorgeous and almost unknown universe of the operatic stage--a world of art so awe-inspiringly high that it was above even the West End. The journalist told her spicy stories of the Brussels stage. My Uncle Spencer would sit at the fringes of the group, listening in silence and across a gulf of separation, while Emmy and the bank clerk agreed that Clarice Mayne was sweet, George Robey a scream, and Florence Smithson a really high-class artist. When asked for his opinion, my Uncle Spencer always had to admit that he had never seen the artist in question. Emmy and the bank clerk would set up a howl of derision; and the opera singer, with biting sarcasm, would ask my Uncle Spencer how a man who professed to be fond of music could have gone through life without even making an attempt to hear Caruso. My Uncle Spencer was too sadly depressed to try to explain.

Little Mexican & Other Stories — Part 52

The days passed. Sometimes a prisoner would be sent for and examined by the German authorities. The little old nobleman like a teapot was released a week after my Uncle Spencer’s arrival; and a few days later the haughty and monocled one disappeared. Most of the peasants next vanished. Then the Russian anarchist was sent for, lengthily examined and sent back again, to find that his arm-chair was being occupied by the journalist.