But, advancing, here, in 1837, comes on a preacher who takes up the slums and raggedest miseries of London and plumps them boldly down in the parlors of high life; and, like the boy in the fairy tale whose fiddle compelled every hearer to dance in spite of himself, presently has a great train of people following him, ready to do his bidding in earnestly reforming the prisons, the schools, the workhouses, and the like, what time the entire train are roaring with the genialest of laughter at the comical and grotesque figures which this peculiar Dickens has fished up out of the London mud.

But again: here, in 1847, we have Thackeray exposing shame and high vulgarity and minute wickedness, while Charlotte Bronte and Tennyson, with the widest difference in method, are for the first time expounding the doctrine of co-equal sovereignty as between man and woman, and bringing up the historic conception of the personality of woman to a plane in all respects level with, though properly differentiated from, that of man. It is curious to see the depth of Charlotte Bronte's adoration for Thackeray, the intense, high-pitched woman for the somewhat slack, and as I always think, somewhat low-pitched satirist; and perhaps the essential utterance of Thackeray, as well as the fervent tone which I beg you to observe is now being acquired by the English novel, the awful consciousness of its power and its mission, may be very sufficiently gathered from some of Charlotte Bronte's words about Thackeray which occur in the Preface to the second edition of her _Jane Eyre_:

The English Novel — Part 119

"There is a man in our own days whose words are not framed to tickle delicate ears; who, to my thinking, comes before the great ones of society much as the son of Imlah came before the throned kings of Judah and Israel; and who speaks truth as deep, with a power as prophet-like and as vital--a mien as dauntless and as daring. Is the satirist of _Vanity Fair_ admired in high places? I cannot tell; but I think if some of those amongst whom he hurls the Greek-fire of his sarcasm, and over whom he flashes the levin-brand of his denunciation, were to take his warnings in time, they or their seed might yet escape a fatal Ramoth-Gilead.

The English Novel — Part 119