Then suddenly 'a heavy armchair, placed against the wall at the further end of the _salotto_, ran violently out into the middle of the room towards us.' Other chairs rushed about 'with still greater velocity.' The heavy table then tilted up, and the moderator lamp, with some pencils, slid to the lower edge of the table, but did not fall off. Mr. Aïdé looked under the table: Home's legs were inactive. Home said that he thought the table would 'ascend,' and Alphonse Karr dived under it, and walked about on all fours, examining everybody's feet--the others were standing up. The table rose 'three or four feet,' at highest, and remained in air 'from two to three minutes.' It rose so high that 'all could see Karr, and see also that no one's legs moved.' M. Karr was not a little annoyed; but, as 'Sandow could not have lifted the table evenly,' even if allowed to put his hands beneath it, and as Home, at one side, had his hands above it, clearly Home did not lift it.

All alike beheld this phenomenon, and Mr. Aïdé asks 'was I hypnotised?' Were all hypnotised? People have tried to hypnotise Mr. Aïdé, never with success, and certainly no form of hypnotism known to science was here concerned. No process of that sort had been gone through, and, except when Home said that he thought the table would ascend, there had been no 'verbal suggestion;' nobody was told what to look out for. In hypnotic experiment it is found that A. (if told to see anything not present) will succeed, B. will fail, C. will see something, and so on, though these subjects have been duly hypnotised, which Mr. Aïdé and the rest had not. That an unhypnotised company (or a company wholly unaware that any hypnotic process had been performed on them) should all be subjected by any one to the same hallucination, by an unuttered command, is a thing unknown to science, and most men of science would deny that even one single person could be hallucinated by a special suggestion not indicated by outward word, gesture, or otherwise. We read of such feats in tales of 'glamour,' like that of the Goblin Page in _The Lay of the Last Minstrel_, but to psychological science, I repeat, they are absolutely unknown. The explanation is not what is technically styled a _vera causa_. Mr. Aïdé's story is absolutely unexplained, and it is one of scores, attested in letters to Home from people of undoubted sense and good position. Mr. Myers examined and authenticated the letters by post marks, handwriting, and other tests.[22]

Historical Mysteries — Part 95