Revolving the character of his sovereign, and sadly foreboding the ruin of his country, the young hero of Granada pursued his way, until his steps, almost unconsciously, led him towards the abode of Leila. He scaled the walls of the garden as before--he neared the house. All was silent and deserted; his signal was unanswered--his murmured song brought no grateful light to the lattice, no fairy footstep to the balcony. Dejected, and sad of heart, he retired from the spot; and, returning home, sought a couch, to which even all the fatigue and excitement he had undergone, could not win the forgetfulness of slumber. The mystery that wrapt the maiden of his homage, the rareness of their interviews, and the wild and poetical romance that made a very principle of the chivalry of the Spanish Moors, had imparted to Muza’s love for Leila a passionate depth, which, at this day, and in more enervated climes, is unknown to the Mohammedan lover. His keenest inquiries had been unable to pierce the secret of her birth and station. Little of the inmates of that guarded and lonely house was known in the neighbourhood; the only one ever seen without its walls was an old man of the Jewish faith, supposed to be a superintendent of the foreign slaves (for no Mohammedan slave would have been subjected to the insult of submission to a Jew); and though there were rumours of the vast wealth and gorgeous luxury within the mansion, it was supposed the abode of some Moorish emir absent from the city--and the interest of the gossips was at this time absorbed in more weighty matters than the affairs of a neighbour. But when, the next eve, and the next, Muza returned to the spot equally in vain, his impatience and alarm could no longer be restrained; he resolved to lie in watch by the portals of the house night and day, until, at least, he could discover some one of the inmates, whom he could question of his love, and perhaps bribe to his service. As with this resolution he was hovering round the mansion, he beheld, stealing from a small door in one of the low wings of the house, a bended and decrepit form: it supported its steps upon a staff; and, as now entering the garden, it stooped by the side of a fountain to cull flowers and herbs by the light of the moon, the Moor almost started to behold a countenance which resembled that of some ghoul or vampire haunting the places of the dead. He smiled at his own fear; and, with a quick and stealthy pace, hastened through the trees, and, gaining the spot where the old man bent, placed his hand on his shoulder ere his presence was perceived.