Those who converse with the Dumb, know from the Turn of their Eyes and the Changes of their Countenance their Sentiments of the Objects before them. I have indulged my Silence to such an Extravagance, that the few who are intimate with me, answer my Smiles with concurrent Sentences, and argue to the very Point I shak'd my Head at without my speaking. WILL. HONEYCOMB was very entertaining the other Night at a Play to a Gentleman who sat on his right Hand, while I was at his Left. The Gentleman believed WILL. was talking to himself, when upon my looking with great Approbation at a [young thing [2]] in a Box before us, he said,

'I am quite of another Opinion: She has, I will allow, a very pleasing Aspect, but, methinks, that Simplicity in her Countenance is rather childish than innocent.'

The Spectator, Volume 1 — Part 62

When I observed her a second time, he said,

The Spectator, Volume 1 — Part 62

'I grant her Dress is very becoming, but perhaps the Merit of Choice is owing to her Mother; for though,' continued he, 'I allow a Beauty to be as much to be commended for the Elegance of her Dress, as a Wit for that of his Language; yet if she has stolen the Colour of her Ribbands from another, or had Advice about her Trimmings, I shall not allow her the Praise of Dress, any more than I would call a Plagiary an Author.'

The Spectator, Volume 1 — Part 62

When I threw my Eye towards the next Woman to her, WILL. spoke what I looked, [according to his romantic imagination,] in the following Manner.

'Behold, you who dare, that charming Virgin. Behold the Beauty of her Person chastised by the Innocence of her Thoughts. Chastity, Good-Nature, and Affability, are the Graces that play in her Countenance; she knows she is handsome, but she knows she is good. Conscious Beauty adorned with conscious Virtue! What a Spirit is there in those Eyes! What a Bloom in that Person! How is the whole Woman expressed in her Appearance! Her Air has the Beauty of Motion, and her Look the Force of Language.'

It was Prudence to turn away my Eyes from this Object, and therefore I turned them to the thoughtless Creatures who make up the Lump of that Sex, and move a knowing Eye no more than the Portraitures of insignificant People by ordinary Painters, which are but Pictures of Pictures.