The Three Friends of Winter is an art motif that comprises the pine, bamboo, and plum. The Chinese celebrated the pine, bamboo and plum together, as they observed that these plants do not wither as the cold days deepen into the winter season unlike many other plants. Known by the Chinese as the Three Friends of Winter, they later entered the conventions of East Asian culture and Vietnamese culture. Together they symbolize steadfastness, perseverance, and resilience. They are highly regarded in Confucianism and as such represent the scholar-gentleman's ideal.

History

The Three Friends of Winter are common in works of art from Chinese culture and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu () of the Tang dynasty. The Southern Song dynasty artist Zhao Mengjian (, c. 1199–1264), among others of the time, made this grouping popular in painting.

Three Friends of Winter

The actual term "Three Friends of Winter" can be traced back to the earliest known mention in literature, the Record of the Five-cloud Plum Cottage () from The Clear Mountain Collection () by the Song dynasty writer Lin Jingxi (, 1242–1310):

Three Friends of Winter

In other places

The Three Friends of Winter as Sho Chiku Bai in Japanese (literally "pine, bamboo, plum")

Three Friends of Winter

In Japan, they are particularly associated with the start of the New Year, appearing on greeting cards and as a design stamped into seasonal sweets. Shōchikubai () is sometimes also used as a three-tier ranking system. In this context, the pine (matsu, ) usually is the highest rank, followed by bamboo (take, ) as the middle rank, and plum (ume, ) as the lowest.

In a Korean poem by Kim Yuki (1580–1658), the three friends are brought together in order to underline the paradoxical contrast:

In Vietnam, the three along with chrysanthemum create a combination of four trees and flowers usually seen in pictures and decorative items. The four also appear in works but mostly separately with the same symbolic significance. They are known as Tuế hàn tam hữu in Vietnamese.

See also

Chinese culture

Four Gentlemen of the Year

Four Treasures of the Study

Trees in Chinese mythology

Mirror Flower, Water Moon

References

Chinese culture

Chinese painting

Japanese painting

Chinese iconography

Japanese iconography

East Asian art

Plants in art

East Asian traditions