Doane stopped; waited to see if this list of names impressed the great American. If he knew, in his own person, anything whatever about Chinese painting he must exhibit at least a little feeling. But Dawley Kane said nothing; merely lighted, with provoking deliberation, a fresh cigar.

“It is commonly understood, too”--Doane could not resist pressing him a little further--“that he has authentic paintings by Wu Tao-tzu, and Li Lung-mien.” Surely these two names would stir this man who seemed at moments no more than a calculating machine with manners. But Kane smoked on.... “And I understand that he has a fairly complete collection of portraits by the men of the Brush-strokes-reducing Method.”

In Red and Gold — Part 81

He finished rather lamely; fell silent, and looked out over the still brilliantly lighted river; the river of a hundred thousand dramatic scenes--battles and romances and struggles for trade--the great river with its endless memories of gold and bloodshed--the river that for a brief day was running red again. The fire out there, though red flame and rolling smoke and whirling sparks still roared upward, was consuming now the lower deck and the hull. Within the hour the _Yen Hsin_ would be no more than a curving double row of charred ribs; one more casual memory of the river.

In Red and Gold — Part 81

Still Dawley Kane smoked on. He clearly knew no enthusiasm. He was an analyst, an appraiser, a trader to the core. He felt no discomfort, even in friendly talk, in letting the other man wait. But Doane would say no more. And finally, knocking the ash off his cigar with a reflective finger, Kane remarked; “You really think that this collection would be a good buy?”

In Red and Gold — Part 81

“I don't even know that he would consider selling it.”

“But if he were properly approached.... there are reasons____”

“Oh.... well, yes, there is. But I don't know how even to guess at the value. Many of the paintings are priceless. In New York, at collector's prices, and without hurrying the sale....”

“But if he is anxious to sell--must sell”

“A hundred thousand is a good deal of money. If I were to place that sum to his credit to-morrow, for instance, by wire, at a Shanghai bank, don't you suppose it would tempt him?”

“It might. Though Kang knows the value of every piece.” Doane was finding difficulty in keeping pace with the situation. Kane would shave every penny, as a matter of principle. That, of course, explained him; was the secret of his wealth and power. Paintings, after all, mattered to him only in a remote sense; you could always buy them if you chose, if people would, as apparently they did, think better of you for buying them. It came down to the desirability of building up and solidifying one's name, of what Doane had heard spoken of everywhere in America during his last visit as “publicity.” The word irritated him. It suggested that other word, also heard everywhere in America, “salesmanship.” These words, to the sensitively observant Doane, had connoted an unpleasant blend of aggressive enterprise with an equally aggressive plausibility.