The Egyptians, you are aware, always shave the head and beard closely, save when in mourning. They have nevertheless a plaited lock of hair on the height of the forehead, which falls down over the ear. Such is the fashion with which the youthful god Horus is represented in paintings and statues, though the beautiful locks of this deity are not so closely removed but that a crest of golden tresses covers the top of his head like the plume of a helmet. Something in this manner Prince Remeses wore the lock of jet-black hair which remained. But upon his head he had a rich cap or kaftan of green silk, the front of which was shaped like the beak of an eagle, while behind, it fell to the shoulders in a sort of cape, fashioned like drooping wings--the whole most becoming and striking. In the eyes of the eagle, blazed diamonds, and his plumage was studded with precious stones, beryls, sardine gems, and the onyx-stone. This head-costume, in varied forms, is worn by all the nobles and men of high rank. With some the ibis or the vulture, with others the lion or the hawk, form the insignia. I have seen him since in his chariot, in a close-fitting helmet-cap of burnished gold, resembling that of the Egyptian god of war, which, with his martial form and commanding glance, lent to him the aspect of the god himself!
His vesture was of fine linen, worn in numerous folds about his form; and a surcoat embroidered with gold in royal devices, left open in front, displayed a girdle of links of steel and gold, exquisitely and cunningly woven, to which hung his jewelled sword. About his neck was fastened, by a pearl of price, a collar of the red-hued gold of Ophir, massive and large; and upon his manly chest glittered a breastplate, sparkling with the enamelled _cartouch_ of the god Athothis, the deity who presided at his birth, and who is the same as our Taut, the inventor of letters.
And here let me remark, that writing by letters is scarcely yet known in Egypt, the hieroglyphic form being still in current use; but Remeses has cultivated the Phœnician art, and writes with a character of his own construction, with the facility and beauty of one of our own men of letters. Ere long, through his influence, this form of writing will supersede wholly the hieroglyph, which is cumbersome and difficult to be understood, save by a native-born Egyptian; yet I have commenced the study of it, and can read already the cartouch of Mitres, on his obelisk over against the portico of my residence. Of this obelisk, which is ninety-nine feet high, it is said that when it was about to be elevated to its position, he employed 20,000 workmen, and apprehensive that the engineer would not raise it with sufficient care, he bound the prince his son to the apex while it lay on the ground, and thus effectually guaranteed the safety of his monument. This was many centuries ago; but, as I gazed to-day upon the towering apex, I could not but think, with a tremor of the nerves, of the hapless young prince as he mounted into the sky, on that slow and perilous journey!