There was a more private entrance, through which, after having left their horse or other vehicle at the stables, the young Trevors could enter or issue at their pleasure--safe from the _espionage_ or uncertain welcome of their father. To this Eustace had now recourse. He tried it, and finding the doors beyond his expectations unsecured, passed through, making his way by a back staircase to his mother's apartments, without encountering a domestic or any person on his route.

The house was still and silent as the grave. He entered the boudoir. There was no lamp or candle burning there, but the clear light reflected from the adjoining chamber, of which the door was ajar, seemed to indicate that his mother had retired for the night.

Mary Seaham, Volume 2 of 3 — Part 72

Softly he stepped across the floor to make known to her his arrival. He knew she was expecting him about this time, therefore no fear of startling her too much by his sudden appearance presented itself to his mind--no fear indeed! He listened. All was still--only a slight breeze through the window, (he vaguely wondered that it was open at this hour though the night indeed was close and still), faintly rustled the canopy of the bed and flared the waxen tapers standing on the table. If his mother were there, she undoubtedly slept.

Mary Seaham, Volume 2 of 3 — Part 72

He glanced around the room before advancing further to ascertain the fact, and was struck by the cold and unnatural order pervading the apartment. It was the sign which first chilled his blood and impressed him with a vague but horrible dread. Yet he stood no longer; with a firm though somewhat quickened step he approached, laid his hand upon the drapery, which was slightly drawn round the head of the bed, and beheld his mother.

Mary Seaham, Volume 2 of 3 — Part 72

She slept indeed--how fast, how well, one look alone sufficed to reveal! But Eustace's eye turned not from the gaze which had first fixed itself upon that marble brow.

"He gazed--how long we gaze in spite of pain, And know, but dare not own, we gaze in vain. In life itself she was so still and fair, That death with gentler aspect withered there."

The long faded beauty of her youth seemed to have returned to Mrs. Trevor's countenance, as there in "the rapture of repose," she lay.

Yet the son's eye became glazed in its intensity, as if the sight was one of horror and fearfulness, whilst the hue of the cold sleeper's cheek, was life, and health, and beauty, compared with that which settled on his face.