Half a dozen moderate fortunes seem to be lost and won while the traveller looks on from the background, unnoticed and unseen; for if those plate-glass doors swung suddenly open to admit the seven angels of the Apocalypse, carrying the seven golden vials filled with the wrath of God, it is doubtful whether the splendour of their awful glory, or the trumpet-notes that heralded their coming, would have power to arouse the players from their profound abstraction.

Half a dozen comfortable little patrimonies seem to have changed hands while the traveller has been looking on; and yet he has only watched the table for about ten minutes; and this splendid _salon_ is but an outer chamber, where one may stake as shabby a sum as two francs, if one is shabby enough to wish to do so, and where playing for half an hour or so on a pleasant summer morning one could scarcely lose more than fifty or sixty pounds. Another pair of plate-glass doors open into an inner chamber, where the silence is still more profound, and where around a larger table sit one row of players; while only here and there a little group of outsiders stand behind their chairs. There is more gilding on the walls and ceiling of this chamber; the frescoes are more delicate; the crystal chandeliers are adorned with rich clusters of sparkling drops, that twinkle like diamonds in the sun. This is the temple of gold; and in this splendid chamber one may hazard no smaller stake than half a napoleon. There are women here; but not so many women as in the outer saloon; and the women here are younger and prettier and more carefully dressed than those who stake only silver.

Birds of Prey — Part 48

The prettiest and the youngest woman in this golden chamber on one particular August afternoon, nine years after the death of Tom Halliday, was a girl who stood behind the chair of a military-looking Englishman, an old man whose handsome face was a little disfigured by those traces which late hours and dissipated habits are supposed to leave behind them.

Birds of Prey — Part 48

The girl held a card in one hand and a pin in the other, and was occupied in some mysterious process, by which she kept note of the Englishman's play. She was very young, with a delicate face, in whose softer lines there was a refined likeness to the features of the man whose play she watched. But while his eyes were hard and cold and gray, hers were of that dense black in which there seems such an unfathomable and mysterious depth. As she was the handsomest, so she was also the worst-dressed woman in the room. Her flimsy silk mantle had faded from black to rusty brown; the straw hat which shaded her face was sunburnt; the ribbons had lost their brightness; but there was an air of attempted fashion in the puffings and trimmings of her alpaca skirt; and there was evidence of a struggle with poverty in the tight-fitting lavender gloves, whose streaky lines bore witness to the imperfection of the cleaner's art. Elegant Parisians and the select of Brussels glanced at the military Englishman and his handsome daughter with some slight touch of supercilious surprise--one has no right to find shabbily-dressed young women in the golden temple--and it is scarcely necessary to state that it was from her own countrywomen the young person in alpaca received the most chilling glances. But those Parthian arrows shot from feminine eyes had little power to wound their object just now. The girl looked up from her perforated card very seldom; and when she raised her eyes, it was always to look in one direction--towards the great glass doors opening from the outer saloon. Loungers came and went; the doors swung open and closed again as noiselessly as it is possible for well-regulated doors to open and shut; footsteps sounded on the polished floors; and sometimes when the young person in alpaca lifted her eyes, a passing shadow of disappointment darkened her face. A modern Laurence Sterne, on a new Sentimental Journey, might have derived some interest from the study of the girl's countenance; but the reflective and observant traveller is not to be encountered very often in this age of excursionists; and Maria and her goat may roam the highways and byways for a long time before she will find any dreamy loiterer with a mind attuned to sympathy.

Birds of Prey — Part 48