But we want the ploughed fields beyond, the real woods with stacked-up timber, German fashion; the orchards and the kitchen gardens; the tracks across the high-lying sheep downs; the towing-paths where the barges come up the rivers; the deep lanes where the hay-carts have left long wisps on the overhanging elms; the high-roads running from village to village, with the hooded carts and bicycles and even the solemn Juggernaut traction-engines upon them. We want not only to rest from living, to take refreshment in life's kindly pauses and taste (like Candide in his arbour) the pleasantness of life's fruits. We want also to live.
But there is living and living. There is, unfortunately, not merely such breezy work-a-dayness as we have been talking of, but something very different indeed beyond the walls of our private garden. There are black, oozy factory yards and mangy grass-plots heaped with brickbat and refuse; and miles of iron railing, and acres of gaunt and genteel streets not veiled enough in fog; a metaphorical _beyond the garden walls_, in which a certain number of us graduate for the ownership of sooty shrubberies and clammy orchid houses. And we poor latter-day mortals have become so deadly accustomed to the routine of useless work and wasteful play, that a writer must needs cross all the _t_'s and dot all the _i_'s of his conviction (held also by other sentimentalists and cranks called Carlyle, Ruskin, and Morris) that the bread and wine of life are not grown in the Black Country; no, nor life's flowers in the horticultural establishments (I will not call them gardens) of suburban villas.
Fortunately, however, this casual-looking universe is not without its harmonies, as well as ironies. And one of these arrangements would seem to be that our play educates the aims and methods of our work. If we lay store by satisfactions which imply the envy and humiliation of other folk, why then we set about such work as humiliates our neighbours or fills them with enviousness, saving the case where others, sharing our tastes, do alike by us. Without going to such lengths (the mention of which has got me a reputation for lack of human sympathy) there remains the fact that if our soul happen to take delight in, let us say, futility--well, then, futility will litter existence with shreds of coloured paper and plaster comfits trodden into mud, as after a day of carnival at Nice. Nay, a still simpler case: if we cannot be happy without a garden as big as the grounds of an expensive lunatic asylum, why, then, all the little cottage gardens down the lane must be swept away to make it.