"Well, Steve, if this isn't the biggest kind of sport! Never saw anything better in all my life."

"A buck, a big-horn, and a painter before sundown."

Harper's Young People, November 8, 1881 — Part 6

"It'll be sundown before we get them all in. We'd better start for some ponies and some help. Tell you what, Steve, I don't care much for it myself, but the Lipans would rather eat that cougar than the best venison that ever was killed."

Harper's Young People, November 8, 1881 — Part 6

"I suppose they would; but I ain't quite Indian enough for that, war-paint or no war-paint."

Harper's Young People, November 8, 1881 — Part 6

So, indeed, it proved; and To-la-go-to-de indulged in more than one sarcastic gibe at his less successful hunters over the manner in which they had been beaten by "No Tongue and the Yellow Head--an old pale-face and a boy." He even went so far as to say to Steve Harrison, "Good shot. The Yellow Head will be a chief some day. He must kill many Apaches. Ugh!"

[Illustration: THE ROCKS TELLING THEIR STORY.]

Not long ago I saw some men at work in a stone quarry on Second Avenue, at the corner of Seventieth Street, New York. In this part of the city there are many empty lots not yet built upon. These vacant squares are in some places covered with great masses of rough rocks, that must be cleared away before the houses can be built. So it happens there are stone quarries right in the midst of the city. In talking to you about the sea, you may remember I told you the world is like a great picture-book. Here is one of the leaves lying wide open, where we may read a strange old story. Those of you who live in New York can go up to Seventieth Street and see it; but the men are busy tearing it down, and before you get there, there may be nothing left but a fine row of cellars or a block of houses. Many of you can not visit New York, so I carried my camera to the place, and took a photograph of the rocky wall. The engraver has made a picture from my photograph, and here you can see it. At the left you can look down Seventieth Street, and see part of the rocky hill on the next block. On top is an old shanty, a tree or two, and a tumble-down fence. Directly in front is the solid wall of stone, just as it has lain there for perhaps tens of thousands of years. In the foreground are the broken fragments of rock that have been torn down by the blasts. One of the quarry-men looked up from his work just as I set up my camera, and got nicely caught in the picture.