There are thirteen theatres in the city, and an admirable museum. The latter, rich in antiquities, is noted for its prehistoric remains of animals which once lived in the southern part of this continent, but whose species have long been extinct. This particular museum is advantageously known to scientists all over the world. The Colon Theatre is a large, well-equipped, and imposing place of entertainment, as much so as the Théâtre Française, Paris, and takes a high position in representations of the legitimate drama and the production of the better spectacular plays. This house adopts what is called here the _cazuela_ in the division of its auditorium, an excellent system, very general in South American theatres, and we believe, nowhere else. It consists in giving up the entire second tier of boxes or seats to the exclusive use of unattended ladies, an arrangement which seemed to us strongly to recommend itself. To this division of the auditorium there is a separate entrance from the street, and no gentlemen are admitted under any pretext whatever. So those who desire to come to the entertainments quite unattended can do so with perfect propriety, and are safe from all intrusion in this isolated position. The ladies of this city, when they appear in public, dress very elegantly, following closely North American and European styles, while displaying the choicest imported materials well made up. Perhaps comparisons are invidious, but we feel inclined to accord precedence in the matter of personal beauty to those of Montevideo. In dress, however, the ladies of Buenos Ayres certainly excel them. Each city has its local "Worth," but many dresses are made in Paris and imported, regardless of expense.

There may be somewhere a noisier city than Buenos Ayres, as regards street life in the business section, but London or New York cannot rival it in this respect. Undoubtedly this is owing in a measure to the fact that the traffic of so large and busy a metropolis is crowded into such narrow thoroughfares, barely thirty feet in width, and often less than that, a portion of which space is taken up by the tramway tracks. The noisy vehicles which run on these rails make their full share of the racket and hubbub. Here, as in the cities of Mexico and Puebla, the drivers of the cars are supplied each with a tin horn, hung about his neck, or suspended from the car front, upon which he exercises his lungs, producing ear-piercing and discordant notes. Wheels and hoofs upon the uneven pavements increase the din, supplemented by shouts and language more forcible than proper, uttered by enraged teamsters because of the frequent blocking of the roadway. Add to these dulcet sounds the cries of itinerant fruit venders, fancy-goods sellers, and the shouts of persistent newsboys, and one has some idea of the irritating uproar which rages all day long in the older streets of Buenos Ayres.

Equatorial America — Part 139