Edward had relieved himself slightly by this violent unloading of his heart. But in doing so every feature of his strange condition had been brought out so clearly before his eyes that, overpowered by the pain of the struggle, he burst into tears, which flowed all the more freely as his heart had been made weak by telling it all.

Mittler, who was the less disposed to put a check on his inexorable good sense and strong, vigorous feeling, because by this violent outbreak of passion on Edward's part he saw himself driven far from the purpose of his coming, showed sufficiently decided marks of his disapprobation. Edward should act as a man, he said; he should remember what he owed to himself as a man. He should not forget that the highest honor was to command ourselves in misfortune; to bear pain, if it must be so, with equanimity and self-collectedness. That was what we should do, if we wished to be valued and looked up to as examples of what was right.

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 99

Stirred and penetrated as Edward was with the bitterest feelings, words like these could but have a hollow, worthless sound.

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 99

"It is well," he cried, "for the man who is happy, who has all that he desires, to talk; but he would be ashamed of it if he could see how intolerable it was to the sufferer. Nothing short of an infinite endurance would be enough, and easy and contented as he was, what could he know of an infinite agony? There are cases," he continued, "yes, there are, where comfort is a lie, and despair is a duty. Go, heap your scorn upon the noble Greek, who well knows how to delineate heroes, when in their anguish he lets those heroes weep. He has even a proverb, 'Men who can weep are good.' Leave me, all you with dry heart and dry eye. Curses on the happy, to whom the wretched serve but for a spectacle. When body and soul are torn in pieces with agony, they are to bear it--yes, to be noble and bear it, if they are to be allowed to go off the scene with applause. Like the gladiators, they must die gracefully before the eyes of the multitude. My dear Mittler, I thank you for your visit; but really you would oblige me much, if you would go out and look about you in the garden. We will meet again. I will try to compose myself, and become more like you."

The German Classics of The Nineteenth and Twentieth Centuries, Vol. II — Part 99