“As you will have guessed, the cause of my alarm was the first stroke which I heard of that diabolical _campana gorda_, a sort of bronze chorister, which the canons of Toledo have placed in their cathedral for the praiseworthy object of killing the weary with wrath.

“Cursing between my teeth both bell and bell-ringer, I disposed myself, as soon as that strange and frightful noise had ceased, to take up anew the thread of my broken dream, when there befell, to pique my imagination and challenge my senses, a thing of wonder. By the uncertain moonlight which entered the church through the narrow Moorish window of the chancel wall, I saw a woman kneeling at the altar.”

Romantic legends of Spain — Part 126

The officers exchanged glances of mingled astonishment and incredulity; the captain, without heeding the impression his narrative was making, continued as follows:

Romantic legends of Spain — Part 126

“It could not enter into man’s heart to conceive that nocturnal, phantasmal vision, vaguely outlined in the twilight of the chapel, like those virgins painted in colored glass that you have sometimes seen, from afar off, stand out, white and luminous, across the shadowy stretch of the cathedrals.

Romantic legends of Spain — Part 126

“Her oval face, on which one saw stamped the seal, delicate and spiritual, of emaciation, her harmonious features full of a gentle, melancholy sweetness, her intense pallor, the perfect lines of her slender figure, her reposeful, noble posture, her robe of flowing white, brought to my memory the women of whom I used to dream when I was still little more than a child. Chaste, celestial images, illusive objects of the wandering love of youth!

“I believed myself the sport of an hallucination and not withdrawing my eyes from her for an instant, I scarcely dared breathe, fearing that a breath might dissolve the enchantment.

“The fancy crossed my mind, on seeing her so shining, so transparent, that this was no creature of the earth, but a spirit, that, once more assuming for an instant the veil of human form, had descended in the moonbeam, leaving in the air behind it the azure track which slanted from the high window to the foot of the opposite wall, breaking the deep gloom of that dusky, mysterious recess.”

“But--” interrupted his former schoolmate, who, inclined at the outset to make fun of the story, had at last grown closely attentive--“how came that woman there? Did you not speak to her? Did she not explain to you her presence in that place?”