"Highland Laddie", also known as "Hielan' Laddie", is the name of a Scottish popular folk tune "If Thou'lt Play Me Fair Play", but as with many old melodies various sets of words can be sung to it, of which Robert Burns's poem "Highland Laddie" is probably the best known. "If Thou'lt Play Me Fair Play" has been reworked several times since Burns set down his words, Donkey Riding being one variant.
Highland Regiments raised in the 18th and early 19th centuries employed many unique symbols to differentiate themselves from other regiments and enlisted distinctive music to announce their arrival, but as a result of the Cardwell Reforms of 1881, all British Army Highland Regiments were required to use "Highland Laddie" as their regimental march. Over time, many of these regiments had managed to return to their pre-Cardwell marches when, in March 2006, the establishment of the Royal Regiment of Scotland saw the disappearance of all Scotland's historic infantry regiments and their distinctions, including music, and the adoption of a new regimental march, "Scotland the Brave".
Regiments
"Highland Laddie" continues to be the regimental march of a number of Commonwealth regiments with Scottish affiliations. Some of these regiments include:
United Kingdom
The Royal Scots Dragoon Guards
The Scots Guards
The London Scottish
The Tyneside Scottish
Canada
42nd Field Artillery Regiment (Lanark and Renfrew Scottish), RCA
The Black Watch (Royal Highland Regiment) of Canada
The Royal Highland Fusiliers of Canada
The Cape Breton Highlanders formerly 2nd Battalion, The Nova Scotia Highlanders
The Essex and Kent Scottish
48th Highlanders of Canada
The Lake Superior Scottish Regiment
The Calgary Highlanders
Australia
16th Battalion (The Cameron Highlanders of Western Australia) 41st Battalion, Royal New South Wales Regiment (The Byron Regiment) The Adelaide Universities Regiment 3rd Battalion, Royal Australian Regiment
New Zealand
1st Armoured Car Regiment (New Zealand Scottish)
Republic of India
9 Gorkha Rifles (1st Battalion 9 Gorkha Rifles)
Sri Lanka
Gemunu Watch
Dances
Highland dance
Highland laddie is also the name of a dance in Scottish Highland dancing, of the "national dance" subtype. This version of the dance was first published by D. G. MacLennan in 1952, who referred to it as a Hebridean dance, collected by MacLennan in 1925 from Archie MacPherson on the island of South Uist. MacLennan himself suggested "a more effective finishing" of the dance, with entrechat at the end. Most national dances are usually danced by females in an Aboyne dress, but the Highland laddie is one of two national dances that are typically danced in the standard kilt-based outfit, the other being "Wilt thou go to the barracks, Johnny?".
Scottish step dances
Highland (or Hielan') laddie is the name of several Scottish soft-shoe step dances, different from the national dance mentioned above. Two different dances of this name have been taught in Scottish (ladies) step dance classes within the frame of the RSCDS Summer Schools in St Andrews, Scotland. Yet another version, collected by Jack McConachie and published in 1972 is now commonly referred to as Hebridean laddie. There are reasons to believe that dances taught by Jack McConachie as Hebridean, namely flowers of Edinburgh and bonnie Dundee, originally used to be danced to the music of "Hielan' Laddie" as well.
Settings
As a tune with martial affiliations Highland Laddie is still widely played by the regimental bands and/or pipes and drums of the Scottish regiments. As a traditional Scottish tune, Highland Laddie is also commonly played on the bagpipes for Scottish dances. Typically categorised as a quick march "Highland Laddie" is normally written in 2/4 time. The "standard" setting contains two parts (8 bars per part). As with any of the older melodies, variations have been composed and some published with the most distinctive settings appearing in Pipe Major William Ross' 1885 book containing eight parts to "Highland Laddie".
Canadian settings
"Highland Laddie" appears as the most frequently used regimental march in the Canadian Armed Forces and demonstrates a variety of settings depending upon which music book and/or instructor was used in any particular area. Some regiments play two parts and some a four-part version as their regimental march. Not all the parts are in the same order and some are not played at all.
Lyrics
Numerous lyrics for the tune exist.