The ancient Abbey suffered much at the hands of the Danes, and in later years from the ravages of the Scots, having been burnt several times, notably in 1296, when 40,000 Scots ravaged the North of England, plundering, burning, and laying waste wherever they went, exactly as the Danes had done four hundred years before. Some of the stones of the old Abbey yet bear traces of the fires by which the ancient building was so often nearly destroyed, and in these frequent conflagrations all records, charters, etc., of the Abbey, from which might have been compiled a complete history, not only of the Abbey but of much of the provincial and national history of the times, were lost.
The Abbey was restored and rebuilt again and again, but for varying reasons was without a nave for some hundreds of years. Within the last ten years, however, a complete restoration has been carried out, under the loving, and, what is more to the point, the capable superintendence of Canon Savage and his colleagues, in the spirit and manner, as nearly as possible, of the beautiful portions already standing; and several disfiguring so-called "restorations" of nineteenth century work, which could only detract from the beauty and dignity of the noble building, have been removed entirely. This work was completed in 1908, and all who have the honour of our famous county at heart must rejoice that its noblest church is at last more worthy of its own high rank and glorious past.
Among the many deeply interesting objects to be seen in the Abbey is the stone Sanctuary seat--the Frid Stool, or seat of peace--at which fugitives, fleeing from their enemies, might find refuge. It is believed that this was the "Cathedra" of St. Wilfrid himself. The arms and back of the chair are ornamented with a twisted knot-work pattern. The right of Sanctuary extended for a mile round the Abbey, the boundaries being marked by crosses, one at each point of the compass at that distance.
[Illustration: HEXHAM ABBEY FROM NORTH WEST]
Other treasures of the Abbey are the beautiful Old Rood Screen, dating from the end of the fifteenth or beginning of the sixteenth century; some wonderful old paintings, especially the portraits of the early Bishops of Hexham, Alcmund, Wilfrid, Acca, Eata, Frithbert, Cuthbert, and John, which date from the fifteenth century; the mediaeval carved and painted pulpit, and the tomb of good King Alfwald of Northumbria. Many of the stones used by Wilfrid's builders were of Roman workmanship, and seem to have come from the Roman city of Corstopitum, at Corbridge. An inscription on one of these old stones in the crypt takes us back some centuries before even Wilfrid's time, for it commemorates the Emperor Severus and his two sons, Marcus Aurelius Antoninus (Caracalla) and Publius Septimius Geta, and has the name of the latter erased, as was done on all similar inscriptions throughout the Empire, by order of the inhuman Caracalla, after his murder of his brother.