The monastic orders came next. Franciscans, Dominicans, Augustinians, Carmelites, all were there, with burning tapers and highly prized relics. The parish churches were represented in like manner by their clergy; and these were followed by the chapter of the cathedral and by the multitudinous professors and scholars of the university. Between this part of the procession and the next, came a detachment of the Swiss guards of the king, armed with halberds, and a band of skilled musicians performing, on trumpets, hautboys, and other instruments, the airs of the solemn hymns of the church.

An honorable place was held by the ecclesiastics of the "Sainte Chapelle," originally built by Louis the Ninth, in the precincts of his own palace, for the reception of the marvellous relics he brought home from Holy Land. Those relics were all here, together with the other costly possessions of the chapel--the crown of thorns, the true cross, Aaron's rod that budded, the great crown of St. Louis, the head of the holy lance, one of the nails used in our Lord's crucifixion, the tables of stone, some of the blood of Christ, the purple robe, and the milk of the Virgin Mary--all borne in jewelled reliquaries by bishops.

The Rise of the Hugenots, Vol. 1 (of 2) — Part 159

Four cardinals in scarlet robes followed--Givri, Tournon, Le Veneur, and Châtillon--an uncongenial group, in which the violent persecutor and the future partisan of the Reformation walked side by side. But the central point in the entire procession was occupied not by these, but by Jean du Bellay, Bishop of Paris, bearing aloft a silver cross in which was enclosed the consecrated wafer of the eucharist, whose title to adoration it was the grand object of the celebration to vindicate. The king's three sons--the dauphin, and the Dukes of Orleans and Angoulême--with a fourth prince of the blood--the Duke of Bourbon Vendôme--held the supports of a magnificent canopy of velvet, sprinkled with golden fleurs-de-lis, above the bishop and his sacred charge. Francis himself walked behind him, with a retinue of nobles, officers of government, judges of parliament, and other civilians closing the line. The king was naturally the object of universal observation.

The Rise of the Hugenots, Vol. 1 (of 2) — Part 159

Dressed in robes of black velvet lined with costly furs, he devoutly followed the elevated host, with uncovered head, and with a large waxen taper in his hands. Several stations had, at great expense, been erected along the designated route. At each of these the procession halted, and the Bishop of Paris placed the silver cross with its precious contents in a niche made to receive it. Then the king, having handed his taper to the Cardinal of Lorraine at his side, knelt down and reverently worshipped with joined hands, until a grand anthem in honor of the sacrament had been intoned. The scene had been well studied, and it made the desired impression upon the by-standers. "There was no one among the people," say the registers of the Hôtel de Ville in unctuous phrase, "be he small or great, that did not shed warm tears and pray God in behalf of the king, whom he beheld performing so devout an act and worthy of long remembrance. And it is to be believed that there lives not a Jew nor an infidel who, had he witnessed the example of the prince and his people, would not have been converted to the faith."[350]

The Rise of the Hugenots, Vol. 1 (of 2) — Part 159