How different the fastidious temperance of Milton! He drank water and lived on the humblest fare. In his youth he studied during the greatest part of the night; but in his more advanced years he went early to bed--by nine o'clock--rising to his studies at four in summer and five in winter. He studied till mid-day; then he took an hour's exercise, and after dinner he sang and played the organ, or listened to others' music. He studied again till six, and from that hour till eight he engaged in conversation with friends who came to see him. Then he supped, smoked a pipe of tobacco, drank a glass of water, and went to bed. Glorious visions came to him in the night, for it was then, while lying on his couch, that he composed in thought the greater part of his sublime poem. Sometimes when the fit of composition came strong upon him, he would summon his daughter to his side, to commit to paper that which he had composed.
Milton was of opinion that the verses composed by him between the autumnal and spring equinoxes were always the best, and he was never satisfied with the verses he had written at any other season. Alfieri, on the contrary, said that the equinoctial winds produced a state of almost "complete stupidity" in him. Like the nightingales he could only sing in summer. It was his favorite season.
Pierre Corneille, in his loftiest flights of imagination, was often brought to a stand-still for want of words and rhyme. Thoughts were seething in his brain, which he vainly tried to reduce to order, and he would often run to his brother Thomas "for a word." Thomas rarely failed him. Sometimes, in his fits of inspiration, he would bandage his eyes, throw himself on a sofa, and dictate to his wife, who almost worshiped his genius. Thus he would pass whole days, dictating to her his great tragedies; his wife scarcely venturing to speak, almost afraid to breathe. Afterward, when a tragedy was finished, he would call in his sister Martha, and submit it to her judgment; as Moliere used to consult his old housekeeper about the comedies he had newly written.
Racine composed his verses while walking about, reciting them in a loud voice. One day, when thus working at his play of _Mithridates_, in the Tuileries Gardens, a crowd of workmen gathered around him, attracted by his gestures; they took him to be a madman about to throw himself into the basin. On his return home from such walks, he would write down scene by scene, at first in prose, and when he had thus written it out, he would exclaim, "My tragedy is done," considering the dressing of the acts up in verse as a very small affair.