The village I was staying at is called Willersey; the nearest to it, a little over a mile away, is Saintbury. This last was just such a pretty peaceful spot as would tempt a world-weary man to exclaim on first catching sight of it, "Here I could wish to end my days." A little old-world village, set among trees in the sheltering hollow of a deep coombe, consisting of thatched stone cottages, grouped in a pretty disorder; a modest ale-house; a parsonage overgrown with ivy; and the old stone church, stained yellow and grey with lichen, its low square tower overtopped by the surrounding trees. It was a pleasure merely to sit idle, thinking of nothing, on the higher part of the green slope, with that small centre of rustic life at my feet. For many hours of each day it was strangely silent, the hours during which the men were away at a distance in the fields, the children shut up in school, and the women in their cottages. An occasional bird voice alone broke the silence--the distant harsh call of a crow, or the sudden startled note of a magpie close at hand, a sound that resembles the broken or tremulous bleat of a goat. If an apple dropped from a tree in the village, its thud would be audible from end to end of the little crooked street in every cottage it would be known that an apple had dropped. On some days the sound of the threshing-machine would be heard a mile or two away; in that still atmosphere it was like the prolonged hum of some large fly magnified a million times. A musical sound, buzzing or clear, at times tremulous, rising or falling at intervals, it would swell and fill the world, then grow faint and die away. This is one of the artificial sounds which, like distant chimes, harmonise with rural scenes.

Towards evening the children were all at play, their shrill cries and laughter sounding from all parts of the village. Then, when the sun had set and the landscape grew dim, they would begin to call to one another from all sides in imitation of the wood owl's hoot. During these autumn evenings the children at this spot appeared to drop naturally into the owl's note, just as in spring in all parts of England they take to mimicking the cuckoo's call. Children are like birds of a social and loquacious disposition in their fondness for a set call, a penetrative cry or note, by means of which they can converse at long distances. But they have no settled call of their own, no cry as distinctive as that of one of the lower animals. They mimic some natural sound. In the case of the children of these Midland villages it is the wood owl's clear prolonged note; and in every place where some animal with a striking and imitable voice is found its call is used by them. Where no such sound is heard, as in large towns, they invent a call; that is, one invents it and the others immediately take it up. It is curious that the human species, in spite of its long wild life in the past, should have no distinctive call, or calls, universally understood. Among savage tribes the men often mimic the cry of some wild animal as a call, just as our children do that of an owl by night, and of some diurnal species in the daytime. Other tribes have a call of their own, a shout or yell peculiar to the tribe; but it is not used instinctively--it is a mere symbol, and is artificial, like the long-drawn piercing coo-ee of the Australian colonists in the bush, and the abrupt Hi! with which we hail a cab, with other forms of halooing; or even the lupine gurgled yowl of the morning milkman.

Birds and Man — Part 79