Let me transport the reader in imagination to the Vale of the Tweed, that classic region--the Arcadia of Scotland, the haunt of the Muses, the theme of so many a song, the scene of so many a romantic legend. And there, where that most crystalline of rivers has attained the fulness of its beauty and splendour--just before it meets and mingles in gentle union with its scarce less beauteous sister, "sweet Teviot"--on one of those finely swelling eminences which everywhere crown its banks, rise the battlements of Fleurs Castle, which has long been the seat of the Roxburghe family. It is a peerless situation; the great princely mansion, ever gleaming on the eye of the traveller, at whatever point he may be, in the wide surrounding landscape. It comes boldly out from the very heart of an almost endless wood--old, wild, and luxuriant; having no forester but nature--spreading right, left, and behind, away and away, till lost in the far horizon. Down a short space in front, a green undulating haugh between, roll the waters of the Tweed, with a bright clear radiance to which the brightest burnished silver is but as dimness and dross. On its opposite bank is a green huge mound--all that now remains of the mighty old Roxburgh Castle, aforetime the military key of Scotland, and within whose once towering precincts oft assembled the royalty, and chivalry, and beauty of both kingdoms. At a little distance to the east of Fleurs, the neat quaint abbey-town of Kelso, with its magnificent bridge, nestles amid greenery, close to the river. And afar to the south, the eye, tired at last with so vast a prospect, and with such richness and variety of scenery, rests itself on the cloud-capt range of the Cheviots, in amplitude and grandeur not unmeet to sentinel the two ancient and famous lands.

Upwards of thirty years ago, the ducal coronet of Roxburghe was worn by a nobleman who was then known, and is still remembered on Tweedside, as the "Good Duke James." The history of his life, were there any one now to tell it correctly, would be replete with interest. I cannot pretend to authentic knowledge of it; but I know the outline as I heard it when a child--as it used to be recited, like a minstrel's tale, by the gray-haired cottager sitting at his door of a summer evening, or by some faithful old servant of the castle, on a winter's night, over his flagon of ale, at the rousing hall-fire. And from all I have ever learned since, I judge that these country stories in the main were accurate.

The Modern Scottish Minstrel, Volume V. — Part 6