Along the River During the Qingming Festival (Qingming Shanghe Tu) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing (present-day Kaifeng) during the Northern Song. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Read right to left, as a viewer unrolled it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in rural areas and the city, and offer glimpses of period clothing and architecture. The painting is considered to be the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa."
As an artistic creation, the painting has been revered and artists of subsequent dynasties made hundreds of replicas, copies of copies, and even forgeries of well-regarded copies, each following the overall composition and the theme of the original but differing in detail and technique. Over the centuries, the Song original was kept by private collectors before it eventually returned to public ownership. The painting was a particular favorite of Puyi, China's Last Emperor, who took it with him when he was forced to leave the Forbidden City in 1924. It was recovered in 1945 and kept at the Palace Museum in the Forbidden City. The Song's original and later versions are regarded as national treasures and are exhibited only for brief periods every few years.
The Song original
The original painting is celebrated as the most famed work of art from the Song dynasty. However, little was directly known about its painter, who is generally presumed to be Zhang Zeduan, since records were destroyed when the Jin dynasty overthrew the Northern Song dynasty. There is continued debate and research over its creator, the date and location of where it was painted, and the intended meaning of the work. The earliest attribution to Zhang Zeduan is an inscription dated 1186, which was added on the basis of an earlier catalogue by the Jin imperial curator, Zhang Zhu (active late 12th century) to the original scroll:
Hanlin [Academician] Zhang Zeduan, courtesy name Zhengdao, was a native of Dongwu. He went to the capital to study when he was young. Later he learned painting. He mastered jiehua and took particular pleasure in depicting boats, carts, markets, bridges, city walls, and streets. He even established his own style. According to Mr. Xiang's critiques on paintings, [the works] (Dragon Boat Regatta on the West Lake) and belong to the divine class; collectors should treasure them. The scroll is in height and long. In its length there are 814 humans, 28 boats, 60 animals, 30 buildings, 20 vehicles, 8 sedan chairs, and 170 trees. Only about twenty women appear in the Song dynasty original, and only women of low social rank are visible out of doors unless accompanied by men.
The countryside and the densely populated city are the two main sections in the picture, with the river meandering through the entire length. The right section is the rural area of the city. There are crop fields and unhurried rural folk—predominately farmers, goatherds, and pig herders—in bucolic scenery. A country path broadens into a road and joins with the city road. The left half is the urban area, which eventually leads into the city proper with the gates. Many economic activities, such as people loading cargoes onto the boat, shops, and even a tax office, can be seen in this area. People from all walks of life are depicted: peddlers, jugglers, actors, paupers begging, monks asking for alms, fortune tellers and seers, doctors, innkeepers, teachers, millers, metalworkers, carpenters, masons, and official scholars from all ranks.
Outside the city proper (separated by the gate to the left), there are businesses of all kinds, selling wine, grain, secondhand goods, cookware, bows and arrows, lanterns, musical instruments, gold and silver, ornaments, dyed fabrics, paintings, medicine, needles, and artifacts, as well as many restaurants. The vendors (and in the Qing revision, the shops themselves) extend all along the great bridge, called the Rainbow Bridge ( ) or, more rarely, the Shangdu Bridge ().