It is easy to see that much of the strength of these two paragraphs lies in the continued and repeated use of contrast. The first paragraph, with its beautiful description of the “Golden River” and the “Treasure Valley,” is itself a perfect contrast to the second, with its “Black Brothers” and all their meanness; and we have already seen that the second paragraph itself is filled with antitheses.

In these two paragraphs we have but two simple ideas, that of the place with all its beauty, and that of the brothers with all their ugliness. Ruskin might have spoken of them in two sentences, or even in one; but as a matter of fact, in order to make us think long enough about these two things, he takes them one at a time and gives us glints, like the reflections from the different facets of a diamond slowly turned about in the light. Each is almost like the preceding, yet a little different; and when we have seen all in succession, we understand each better, and the whole subject is vividly impressed on our minds.

The Art Of Writing & Speaking The English Language — Part 84

In the third paragraph we have still another contrast in the description of little Gluck. This paragraph is shorter, but the same devices are used that we found in the preceding.

The Art Of Writing & Speaking The English Language — Part 84

In these three paragraphs the following points are well illustrated:

The Art Of Writing & Speaking The English Language — Part 84

1. Each paragraph develops one subject, which has a natural relation to what precedes and what follows;

2. Each idea is presented in a succession of small details which follow in easy, logical order one after the other;

3. There is constant variety and contrast, difference with likeness and likeness with difference.

Mere correctness in sentence structure (grammar) may be purely scientific; but the art of rhetoric is so wrapped up with human emotion that the study of human nature counts for infinitely more than the theory of arrangement, figures of speech, etc., Unless the student has some idea how the human mind works (his own mind and the minds of his readers), he will make little or no progress in his study of this subject. Professional teachers ignore this almost completely, and that is one reason why they so often fail; and it is also a reason why persons who do not go to them for training so often succeed: the latter class finds that knowledge of the human heart makes up for many deficiencies.