As the dying Oliver approached his end, he was much in prayer; an attendant has recorded some of these last utterances in which he commended God's people to the keeping of the Almighty: "Give them," he prayed, "consistency of judgment, one heart, and mutual love; and go on to deliver them and with the work of reformation; and make the name of Christ glorious in the world. Teach those who look too much on thy instruments, to depend more upon thyself. Pardon such as desire to trample upon the dust of a poor worm, for they are thy people too." Probably never by any master of Whitehall was such a sincerely devout and magnanimous petition raised to heaven. Of the decapitation of his dead body and its subsequent history, when Charles II. was able to wreak his vengeance, we need not speak. Neither need we rehearse the well-known record of the dissolute monarch who on the Restoration set up his profligate court at Whitehall. Of the last hours of Charles II. Evelyn paints a loathsome picture: "I can never forget the inexpressible luxury and profaneness, gaming, and all dissoluteness, and as it were total forgetfulness of God (it being Sunday evening) which I was witness of: the king sitting and toying with his concubines, a French boy singing love songs in that glorious gallery, whilst about twenty of the great courtiers and other dissolute persons were at basset around a large table, a bank of at least two thousand pounds in gold before them.... Six days after all was in the dust." In the reign of William III. two fires, in 1691 and 1697, consumed all of the palace except the Banquet Hall of Inigo Jones.

[Illustration: WESTMINSTER ABBEY AS MILTON KNEW IT

Milton's England — Part 113

The Westminster Abbey that Milton knew, unlike the old St. Paul's of his day, was indeed a house of God, and was not defiled with the intrusion of hucksters and dandies and the bustle of the Exchange. Its lofty walls, ungrimed by smoke, rose fair and stately; the present towers of the west front were then unbuilt, and its mass presented a long, unbroken, horizontal sky-line. Under its high, embowered roof, Milton may have seen less warmth of colour than we, for the stained glass is modern, but he was spared the majority of the pretentious and tasteless monuments which crowd the transepts and the side aisles to-day, and for the most part are in bulk in inverse proportion to their artistic merit, and to the importance of those whom they honour. Perhaps there was no man in England to whose sensitive soul the solemn minster spoke more eloquently. With a mind richly stored in history, and with the artist's eye and prophet's soul, every stone of this most venerable and beautiful of English churches must have been dear to him. It is not within the scope of this little volume even to touch upon the romantic history of this centre of English life or to examine its noble architecture, but only to indicate what may most have touched the mind and heart of the great scholar and patriot-reformer who often passed its portals on his walk from Petty France to Whitehall.

Milton's England — Part 113