Very Good Eddie is a musical with a book by Guy Bolton and Philip Bartholomae, music by Jerome Kern, and lyrics by Schuyler Greene, with additional lyrics by Elsie Janis, Herbert Reynolds, Harry B. Smith, John E. Hazzard, Ring Lardner and Jerome Kern, and additional music by Henry Kailimai. The story was based on the farce Over Night by Bartholomae. The farcical plot concerns three couples and a sex-crazed voice teacher who board a Hudson River Day Line boat in Poughkeepsie, New York. Chaos ensues when two of the couples cross paths and accidentally trade partners. The vaudeville-style adventure continues at a hotel, where guests pop in and out of rooms while an inebriated desk clerk tries to sort through the madness.
The show was the second of the series of "Princess Theatre musicals" and was a hit for Bolton and Kern, running for 341 performances and leading to revivals and further successful collaborations.
Background
Early in the 20th century, American musical theatre consisted of a mix of elaborate European operettas, like The Merry Widow (1907), British musical comedy imports, like The Arcadians (1910), George M. Cohan's shows, the operettas of Victor Herbert, and the spectacular revues of Florenz Ziegfeld. But as Cohan's and Herbert's creative output waned, new creative talent was being nurtured on Broadway, including Jerome Kern, Irving Berlin and Sigmund Romberg. Kern began by revising British musicals to suit American audiences, adding songs that "have a timeless, distinctly American sound that redefined the Broadway showtune."
The Princess Theatre was a simply designed, 299-seat Broadway theatre that had failed to attract successful productions because of its small size. Theatre agent Elisabeth Marbury asked Kern and Bolton to write a series of musicals specifically tailored to its smaller setting, with an intimate style and modest budgets, that would provide an alternative to the star-studded extravaganzas of Ziegfeld and others. Kern and Bolton's first Princess Theatre musical was Nobody's Home (1915), an adaptation of a London show called Mr. Popple of Ippleton. Very Good Eddie was their second.
This was followed by an even bigger hit in 1917, Oh, Boy! and several others, all featuring modern American settings and simple scene changes (one set for each act) to more aptly suit the small theatre, eschewing operetta traditions of foreign locales and elaborate scenery. In Very Good Eddie, guests have names like Gay Anne Giddy, Fullern A. Goat, Tayleurs Dummee and Always Innit, and the voice teacher has a student called "Lily Pond" (a likely allusion to the renaming of a town in Maryland from Lily Pond to Lilypons in honor of the noted opera soprano Lily Pons).
Synopsis
Note: This is a synopsis of the original 1915 Libretto. Alterations were made and many songs were added for the 1975 revival version.
Act I
The Hudson River Day Line boat "The Catskill" is under way on a summer day (“We’re on Our Way”). The boat stops for fifteen minutes at Poughkeepsie, New York. Dick Rivers comes aboard and tells Victoria Lake and the girls that he has fallen in love with Elsie Lilly, the star pupil of the great voice teacher Madame Matroppo (“The Same Old Game”). To be alone with Elsie, he persuades Madame Matroppo to let him interview her pupil for a magazine article. Elsie is not easily wooed. She tells Dick that she used to be engaged to a man named Eddie. She has heard that Dick is always in love with the next girl he meets (“Some Sort of Somebody”).
After some arguing, newlyweds Eddie and Georgina Kettle board the boat. Eddie is much smaller than Georgina and she treats him like an infant. Georgina asks Eddie if he has been in love before her, and he says he used to have an affair with a girl named Elsie. Then two other honeymooners, Percy and Elsie Darling enter. In this relationship, Percy belittles Elsie. As the couples run into each other, Eddie and Percy turn out to be college friends. The couples rejoice (“Isn't it Great to Be Married”).