Aubusson, then, took heart at the encouragement of the king and his prime minister, enjoyed their fine new title to flaunt before the world which lacked it, pored over their new Articles of Faith, and awaited the new artist and the new alchemist of colours.
But Louis XIV was a busy man, and Paris presented enough activity to consume all his hours but the scant group he allowed himself for sleep. So Aubusson was forgot. Wars and pleasures both ravaged the royal purse, and no money was left for indulgences to a tapestry factory lying leagues distant from Paris and the satisfying Gobelins.
Then came the agitation of religious conflict during which Louis XIV was persuaded, coerced, nagged into the condition of mind which made him put pen to the Revocation of the Edict of Nantes, the document that is ever playing about the fortunes of tapestry weaving. This was in 1685. Aubusson had struggled along on hope for twenty years, under its epithet Royal, but now it had to lose its best workers to the number of two hundred. The Protestants had ever been among the best workers in Louis' kingdom, and by his prejudice he lost them. Germany received some of the fugitives, notably, Pierre Mercier.
Near Aubusson were Felletin and Bellegarde, the three towns forming the little group of factories of La Marche. When the king's act brought disaster to Aubusson, her two neighbours suffered equally.
There was also another reason for a sagging of prosperity. Beauvais was rapidly gaining in size and importance under the patronage of the king and the wise rule of its administrators. Beauvais with her high- and low-warp looms, her artists from Paris and her privilege to sell in the open market, lured from Aubusson the patronage that might have kept her strong.
Thus things went on to the end of the Seventeenth Century and the first quarter of the Eighteenth. Then in 1731 came deliverers in the persons of the painters, Jean Joseph du Mons and Pierre de Montezert, and an able dyer who aided them. Prosperity began anew. Not the prosperity of the first half of the Seventeenth Century, which was its best period, but a strong, healthy productiveness which has lasted ever since. Two articles of faith it adheres to--that the looms shall be invariably low, and that the threads of the warp shall be of wool and wool only.