On his return from his travels, Albrecht Dürer's father arranged his son's marriage with the daughter of a musician in Nuremberg. The inducement to the marriage seems to have been, on the father's part, the dowry, and on the son's the beauty of the bride. How unhappy the union proved, without any fault of Albrecht's, has been the theme of so many stories, that I am half inclined to think that some of us must be more familiar with Albrecht Dürer's wedded life than with any other part of his history. It seems to me, that there is considerable exaggeration in these stories, for granted that Agnes Dürer was a shrew and a miser, was Albrecht Dürer the man to be entirely, or greatly, at such a woman's mercy? Taking matters at their worst, dishonour and disgrace did not come near the great painter. He was esteemed, as he deserved to be; he had a true friend in his comrade Pirkheimer; he had his art; he had the peace of a good conscience; he had the highest of all consolations in his faith in Heaven. Certainly it is not from Albrecht himself that the tale of his domestic wretchedness has come. He was as manfully patient and silent as one might have expected in a man upright, firm, and self-reliant as he was tender. I do not think it is good for men, and especially for women, to indulge in egotistical sentimentality, and to believe that such a woman as Agnes Dürer could utterly thwart and wreck the life of a man like Albrecht. It is not true to life, in the first place; and it is dishonouring to the man, in the second; for although, doubtless, there are men who are driven to destruction or heart-broken by even the follies of women, these men have not the stout hearts, the loyal spirits, the manly mould of Albrecht Dürer.

But making every allowance for the high colours with which a tale that has grown stale is apt to be daubed, I am forced to admit the inference that a mean, sordid, contentious woman probably did as much as was in her power to harass and fret one of the best men in Germany, or in the world. Luckily for himself, Albrecht was a severe student, had much engrossing work which carried him abroad, and travelled once at least far away from the harassing and galling home discipline. For anything further, I believe that Albrecht loved his greedy, scolding wife, whose fair face he painted frequently in his pictures, and whom he left at last well and carefully provided for, as he bore with her to the end.

The Old Masters and Their Pictures — Part 67