The Dubara Palace is located at the Simon Bolivar square in the north part of the Garden City district in downtown Cairo, Egypt. It is used for an evangelical church school. It is known as Villa Casdagli or Kasr EL-Dobara Experimental Language School, too.
History
The Dubara Palace played a major role in modern Egyptian history. It witnessed many conflicts and negotiations between 19th and 20th century royal Egyptian leaders and politicians, Egyptian nationalists, and British "imperialist occupation" administrators.
Modeled after Central European hotels particulier in the same genre, Villa Casdagli, now a decaying relic of the past, was built during the first decade of the 20th century by Austrian architect Edward Matasek (1867-1912) reportedly for account of Emanuel Casdagli, a British educated Levantine family of Anatolian Greek origins as the name would suggest, dealing in the lucrative export import trade exporting cotton to England and importing Manchester textiles. [Possibly the house was originally built for banker Felix Suares and, following his death in April 1906, his heirs sold it circa 1909 to the Casdaglis]
Although Kasr al-Dubara is today mainly a hotel, office and banking district, it was once Cairo's top drawer residential quarter and home to several members of the Egyptian royal family who built their palaces there, hence the names Kasr al-Nil, Kasr al-Aali, Kasr al-Dubara, etc. (Kasr meaning palace).
No 1 Midan Kasr el Doubara in the early 1900s, probably about 1911. This villa had been the British Agency and was occupied by Lord Cromer and then Sir Eldon Gorst.
During the first half of this century, Kasr al-Dubara was also the embassy district. When the Casdaglis (Emanuel, later his sons: Alexis and Theodore) were not 'at home' they leased their villa to senior diplomats or diplomatic agencies. In fact, one of Villa Casdagli's pre WW-II tenants was the American Embassy.
It was not uncommon in those days for America to lease premises rather than outright buy them. But in March 1947 things changed, when, acting on instructions of the American State Department, US Ambassador Somerville Pinkney Tuck purchased part of the present day embassy compound. This was to become the first ever Egyptian real estate property owned by the American government.
Situated at No. 5 Kasr al-Walda Pasha Street (later Amrika al-Latinia St.), Pinkey Tuck's new quarters were a stone's throw from Villa Casdagli. Like the latter villa, it too belonged to a wealthy merchant-businessman, this time a Syrian called Alexander Chedid Bey.
Over the years and as American interests in Egypt expanded, the State Department purchased the contiguous properties including Villa Rolo which had also been built by Matasek. Turned into the American Library it was partly burnt down during the 1958 riots. Villas Chedid and Rolo were eventually pulled down, along with the apartment building which had replaced Villa Ades, to accommodate the impregnable American fortress which now occupies the entire hexagon.
Behind Villa Casdagli stood, until recently, Villa (Polychroni) Cozzica which belonged to a wealthy Greek family by the same name. For a long time the Cozzicas held the monopoly of distilled alcohol in Egypt.
The Villas situated No. 7 Sheikh al Arbain street and No 9 Sheikh al Barakat Street belonged to Héphestion Epaminondas Kyriazi (cf. Kyriazi Frères). The No 7 Sheikh al Arbain was first leased to Mohamed Mahmoud Pacha, Minister of Finance of Egypt and then to the German Legation in Cairo
Villa Casdagli's artchitect
In his younger days, Villa Casdagli's architect worked and apprenticed for a number of famous Austrian architects including Joseph von Wieser, Arnold Lotz, Ferdinand Fellner and Herman Helmer. It was most probably at the recommendation of Max Herz Bey, the Khedivial court's rising architect, that Matasek took part in the design of the Egyptian display for the 1892 (3?) Chicago World Fair. This was to be in the shape of a Cairo streetscape.
From Chicago, Matasek traveled to Egypt where he joined the cabinet of Pattigelli Freres and later that of Maurice Cattaui Bey. Henceforth, Matasek occasionally crossed paths with his Austro-Hungarian compatriot and mentor, Herz Bey. By now Herz was firmly entrenched in the architectural annals of Egypt having built, restored and written about, several of Cairo's most distinguished monuments including the Islamic Museum and the Credit Foncier Bank on Abdelkhalek Sarwat Street. Both Herz Bey and his former protégé were members of the Comité; de Conservation des Monuments de l'Art Arabe.