The terrestrial dances, often very elaborate, of heavy birds, like those of the gallinaceous kind, are represented in the more volatile species by performances in the air, and these are very much more beautiful; while a very large number of birds--hawks, vultures, swifts, swallows, nightjars, storks, ibises, spoonbills, and gulls--circle about in the air, singly or in flocks. Sometimes, in serene weather, they rise to a vast altitude, and float about in one spot for an hour or longer at a stretch, showing a faint bird-cloud in the blue, that does not change its form, nor grow lighter and denser like a flock of starlings; but in the seeming confusion there is perfect order, and amidst many hundreds each swift- or slow-gliding figure keeps its proper distance with such exactitude that no two ever touch, even with the extremity of the long-wings, flapping or motionless:--such a multitude, and such miraculous precision in the endless curving motions of all the members of it, that the spectator can lie for an hour on his back without weariness watching this mystic cloud-dance in the empyrean.

The black-faced ibis of Patagonia, a bird nearly as large as a turkey, indulges in a curious mad performance, usually in the evening when feeding-time is over. The birds of a flock, while winging their way to the roosting-place, all at once seem possessed with frenzy, simultaneously dashing downwards with amazing violence, doubling about in the most eccentric manner; and when close to the surface rising again to repeat the action, all the while making the air palpitate for miles around with their hard, metallic cries. Other ibises, also birds of other genera, have similar aerial performances.

The Naturalist in La Plata — Part 126

The displays of most ducks known to me take the form of mock fights on the water; one exception is the handsome and loquacious whistling widgeon of La Plata, which has a pretty aerial performance. A dozen or twenty birds rise up until they appear like small specks in the sky, and sometimes disappear from sight altogether; and at that great altitude they continue hovering in one spot, often for an hour or longer, alternately closing and separating; the fine, bright, whistling notes and flourishes of the male curiously harmonizing with the grave, measured notes of the female; and every time they close they slap each other on the wings so smartly that the sound can be distinctly heard, like applauding hand-claps, even after the birds have ceased to be visible.

The Naturalist in La Plata — Part 126