Stephen Lester Reeves (January 21, 1926 – May 1, 2000) was an American professional bodybuilder and actor. He was famous in the mid-1950s as a movie star in Italian-made sword-and-sandal films, playing the protagonist as muscular characters such as Hercules, Goliath, and Sandokan. At the peak of his career, he was the highest-paid actor in Europe. Though best known for his portrayal of Hercules, he played the character only twice: in Hercules (1958), and in its 1959 sequel Hercules Unchained. By 1960, Reeves was ranked as the number-one box-office draw in 25 countries around the world.
Early life
Born in Glasgow, Montana, in 1926, Reeves moved to California at age 10 with his mother Goldie Reeves after his father Lester Dell Reeves died in a farming accident. Reeves developed an interest in bodybuilding at Castlemont High School and trained at Ed Yarick's gym in Oakland, California. After graduating from high school, he enlisted in the United States Army during World War II, and served in the Philippines. After his military service Reeves attended California Chiropractic College in San Francisco.
He reigned as Mr. America of 1947, Mr. World of 1948, and Mr. Universe of 1950 in the pre Mr. Olympia era. He was contacted by an agent who suggested he go into acting.
Career
Cecil B. de Mille
Reeves moved to New York where he studied acting under Stella Adler, but after arguments he was refunded his tuition. He studied instead at the Theodora Irvin School of the Theatre. He began performing a vaudeville act with a comedian named Dick Burney. One of Cecil B. De Mille's talent scouts saw him and had him tested for Samson and Delilah (1949). Reeves received a seven-year contract with Paramount. Reeves stated that De Mille wanted to cast him in the lead role, but told Reeves he had to lose 15 pounds in order to look convincing on-camera. Reeves says he tried to lose the weight and worked on his acting in preparation for the role over three months. Then, De Mille told him he was going to give the role to Victor Mature.
Early acting appearances
In 1949, Reeves filmed a Tarzan-type television pilot called Kimbar of the Jungle, and in 1950 became Mr. Universe. He appeared on television in Stars Over Hollywood in the episode "Prison Doctor" with Raymond Burr. He appeared on the TV series Topper ("Reducing").
In 1954, Reeves had a small supporting role as a cop in the Ed Wood film Jail Bait. It was his first film and earned him his Screen Actors Guild card. "I had a suit on at all times," he later recalled. "I even had a tie. Only took my shirt off once. Those were the days, huh?"
The same year Reeves was in the MGM musical Athena, playing the boyfriend of Jane Powell's character. These two films are the only ones Reeves made in the United States where his actual voice was used; Reeves acted in Italian-made films for the remainder of his career, where all dialogue and sound effects were added in post-production.
Reeves guest-starred on The George Burns and Gracie Allen Show as the owner of a gym. In 1955, Reeves appeared in two Broadway shows, Kismet and The Vamp. Pictures of Reeves' costume test for the lead in Li'l Abner (1959) can be found on the Internet. He worked for American Health Studios in public relations, opening up fitness studios. That same year he married his first wife, teenaged starlet Sandra Smith.
Hercules
In Italy, director Pietro Francisci wanted to make a film about Hercules but could not find anyone suitable to play the role. His daughter recommended Reeves on the basis of his appearance in Athena and Francisci offered him the role and a plane ticket to Italy. Reeves at first did not think he was serious but eventually agreed and flew to Italy to make the film. His fee was $10,000. Hercules was a relatively low-budget epic based loosely on the tales of Jason and the Argonauts, though inserting Hercules into the lead role.
The film proved popular in Europe. What made it an international sensation was when US distribution rights were bought by Joseph E. Levine, who promoting it and turned it into a major box-office success, grossing $5 million in the United States in 1959. However this did not happen until Reeves had already made four more films in Europe.
