Three days before the Emperor, for the first time, had seriously found fault with Barbara.
It had been impossible for the lady in waiting to discover the cause; but what she knew certainly was that her lover’s censure had roused the girl to vehement contradiction, and that his Majesty, after a sharp reply, had been on the point of leaving her. True, the reckless beauty had repented her imprudent outburst of wrath speedily enough, and had understood how to conciliate the far too indulgent sovereign by such humility and such sweet tenderness that he probably must have forgiven her--at least the farewell had been as affectionate as ever.
Nevertheless, on the following evening, for the first time, he did not come to the castle, and the marquise had feared that the Emperor might now withdraw his favour from Barbara, which would have been too soon for her own wishes.
But yesterday evening, after sunset, the dark litter, to the old noblewoman’s relief, had again stopped behind the garden gate, and the pleasure of having her lover again had so deeply overjoyed Barbara that he, too, was infected by her radiant delight.
Then, in the midst of the most tender caresses, he had been summoned out of the room, and when he returned, with frowning brow, the marquise had witnessed at least the commencement of a scene which seemed to justify her opinion that his Majesty: would have no taste for Barbara’s utter freedom from restraint and gay secular songs.
Unfortunately, she had been prematurely driven from her post of observation; but she had seen the Emperor come in, and Barbara, without noticing his altered expression, or rather, probably, to cheer him by something especially merry, gaily began Baldassare Donati’s superb dancing-master’s song, “Qui la gagliarda vuol imparare,” at the same time in the merriest, most graceful manner imitating the movements of the gagliarda dancer.
But Charles soon interrupted her, sharply requesting her to sing something else or cease entirely for that day.
Startled, she again asked forgiveness, and then pleaded in justification the universally acknowledged beauty of this charming song, which Maestro Gombert also admired; but the Emperor flew into a passion, and cut her short with the loud remark that he was not in the habit of having his own judgment corrected by the opinion of others. The jest did all honour to the skill and merry mood of the composer, but the contrary might be said of the singer who ventured to sing it to a person in whom it could awaken only bitter feelings.