C. I would not go into prison to fetch one of my eyes if I had left it there.
C. And where will you have them but in places of persecution?
C. I would not be painted there so much do I hate and loathe the place."
Speaking of the Court and courtiers he says:
"C. The favours of the Court are like fair weather in winter, or clouds in summer, and Court, in former time, was counted death.
T. It is still Court for the vicious, but death for the virtuous, learned and wise.
C. Seven days doth the Court regard a virtuous man, be he never so mannerly, well-brought up, and of gentle conditions. That is, the first day he makes a show of himself, he is counted gold; the second, silver; the third, copper; the fourth, tin; the fifth, lead; the sixth, dross; and the seventh, nothing at all, whereas the contrary happeneth of the vicious.
T. Yet the virtuous have sometimes got rich gifts there.
C. Yea, but they come as seldom as the year of jubilee.
T. Yet some of them are so courteous, so gentle, so kind, so liberal, so bountiful, that envy itself cannot choose but love them, and blame honour them, and, I think, there is no Court in the world that hath more nobility in it than ours.
T. But tell me truth, had you never the mind to become a courtier?
C. He that is well, let him not stir, for if in removing he break his leg, at his own peril be it.
T. Where there is life there is means; where means, entertainment; where entertainment, hope; where hope, there is comfort."
How closely this last passage resembles the philosophy of Parolles, after his disgrace, in Act IV. Scene iii. of _All's Well that Ends Well_.
PAR. Yet am I thankful: if my heart were great, 'Twould burst at this. Captain, I'll be no more; But I will eat and drink, and sleep as soft As captain shall: simply the thing I am Shall make me live.
There's place and means for every man alive.
The familiarity of the public with the character of Falstaff, under the name of Sir John Oldcastle, is evidenced by the frequency with which both this play and character are referred to by the latter name even after the publication of the _First Part of Henry IV._ in 1598, with the name changed to Falstaff. If this play was originally composed, as is usually suggested, in 1596 or 1597, the short period which it could have been presented in its earlier form, and before its revision in the beginning of 1598, would scarcely allow for the confirmed acquaintance of the public with the name of Sir John Oldcastle in connection with the characterisation developed by Shakespeare. While Shakespeare took this name from the old play of _The Famous Victories of Henry V._, there is no similarity between the characterisation of the persons presented under that name in the two plays.