"Reading from left to right!" Here was the intent facetious. And Ma Pettengill is never idly facetious. Always, as the advertisements say, "There's a reason!" And now, also for the first time, I noticed some printed verses on a sheet of thickish yellow paper tacked to the wall close beside the photograph--so close that I somehow divined an intimate relationship between the two. With difficulty removing my gaze from the gentleman who should be read from left to right, I scanned these verses:

A child of the road--a gypsy I-- My path o'er the land and sea; With the fire of youth I warm my nights And my days are wild and free. Then ho! for the wild, the open road! Afar from the haunts of men. The woods and the hills for my spirit untamed-- I'm away to mountain and glen.

Somewhere in Red Gap — Part 2

If ever I tried to leave my hills To abide in the cramped haunts of men, The urge of the wild to her wayward child Would drag me to freedom again.

Somewhere in Red Gap — Part 2

I'm slave to the call of the open road; In your cities I'd stifle and die. I'm off to the hills in fancy I see-- On the breast of old earth I'll lie.

Somewhere in Red Gap — Part 2

WILFRED LENNOX, the Hobo Poet, On a Coast-to-Coast Walking Tour. These Cards for sale.

I briefly pondered the lyric. It told its own simple story and could at once have been dismissed but for its divined and puzzling relationship to the popular society favourite of Nome, Alaska. What could there be in this?

Mrs. Lysander John Pettengill bustled in upon my speculation, but as usual I was compelled to wait for the talk I wanted. For some moments she would be only the tired owner of the Arrowhead Ranch--in the tea gown of a debutante and with too much powder on one side of her nose--and she must have at least one cup of tea so corrosive that the Scotch whiskey she adds to it is but a merciful dilution. She now drank eagerly of the fearful brew, dulled the bite of it with smoke from a hurriedly built cigarette, and relaxed gratefully into one of those chairs which are all that most of us remember William Morris for. Even then she must first murmur of the day's annoyances, provided this time by officials of the United States Forest Reserve. In the beginning I must always allow her a little to have her own way.

"The annual spring rumpus with them rangers," she wearily boomed. "Every year they tell me just where to turn my cattle out on the Reserve, and every year I go ahead and turn 'em out where I want 'em turned out, which ain't the same place at all, and then I have to listen patiently to their kicks and politely answer all letters from the higher-ups and wait for the official permit, which always comes--and it's wearing on a body. Darn it! They'd ought to know by this time I always get my own way. If they wasn't such a decent bunch I'd have words with 'em, giving me the same trouble year after year, probably because I'm a weak, defenceless woman. However!"