So discreet was he, and so like a fountain sealed, that many of those who were well acquainted with him have supposed that he was mainly a creature of observation and fancy, and that life stirred his intellect while leaving his senses untouched. But every now and then he disclosed to a friend, or rather admitted such a friend to a flash or glimpse of deeper things. The glimpse was never prolonged or illuminated, it was like peering down for a moment through some chasm in the rocks dimmed by the vapour of a clash of waves. One such flash will always leave my memory dazzled. I was staying alone with Henry James at Rye one summer, and as twilight deepened we walked together in the garden. I forget by what meanders we approached the subject, but I suddenly found that in profuse and enigmatic language he was recounting to me an experience, something that had happened, not something repeated or imagined. He spoke of standing on the pavement of a city, in the dusk, and of gazing upwards across the misty street, watching, watching for the lighting of a lamp in a window on the third storey. And the lamp blazed out, and through bursting tears he strained to see what was behind it, the unapproachable face. And for hours he stood there, wet with the rain, brushed by the phantom hurrying figures of the scene, and never from behind the lamp was for one moment visible the face. The mysterious and poignant revelation closed, and one could make no comment, ask no question, being throttled oneself by an overpowering emotion. And for a long time Henry James shuffled beside me in the darkness, shaking the dew off the laurels, and still there was no sound at all in the garden but what our heels made crunching the gravel, nor was the silence broken when suddenly we entered the house and he disappeared for an hour.
But the gossamer thread of narrative must be picked up once more, slight as it is. Into so cloistered a life the news of the sudden loss of Edward Burne-Jones in June, 1898, fell with a sensation; he had "seen the dear man, to my great joy, only a few hours before his death." In the early spring of the next year Henry James actually summoned resolution to go abroad again, visiting at Hyères Paul Bourget and the Vicomte Melchior de Vogüé (of whose _Le Roman Russe_ and other essays he was a sturdy admirer), and proceeding to Rome, whence he was "whirled by irresistible Marion Crawford off to Sorrento, Capri, Naples," some of these now seen for the first time. He came back to England and to Lamb House at the end of June, to find that his novel of _The Awkward Age_, which was just published, was being received with a little more intelligence and sympathetic comprehension than had been the habit of greeting his productions, what he haughtily, but quite justly, called "the lurid asininity" of the Press in his regard now beginning to be sensibly affected by the loyalty of the little clan of those who saw what he was "driving at" in the new romances, and who valued it as a pearl of price. Nevertheless, there was still enough thick-witted denunciation of his novels to fill his own "clan" with anger, while some even of those who loved him best admitted themselves bewildered by _The Awkward Age_. Nothing is more steadily cleared away by time than the impression of obscurity that hangs over a really fine work of imagination when it is new. Twenty years have now passed, and no candid reader any longer pretends to find this admirable story "bewildering."