Many other important events transpire while I am fulfilling my duties of correspondent to the _New York Trigger_.

Prominent among these, is the return from Santo Domingo of the Spanish army after another unsuccessful attempt to establish a footing in that island. In order to assure the people of Cuba that the campaign has been attended with 'glorious' results, a public fiesta in honour of the return of General Gandarias and his followers is celebrated in our town. The streets are gaily decorated, and a certain cannon, which had been captured in Montecristo by the Spaniards, is wheeled on a cart through the streets, followed by a procession of soldiers and a band of music. This cannon--which is a heavy-looking, unserviceable weapon of the old-fashioned calibre--is made much of by everybody, and finally a niche is built in a wall of the cathedral, and the 'cañon de Montecristo,' as it is henceforth derisively termed by the Cubans, is deposited in this niche with a railing before it, and an inscription above, in which the people of Cuba are reminded of the 'glorious campaign of Santo Domingo.'

The Pearl of the Antilles, or An Artist in Cuba — Part 70

Shortly after the appearance of the cañon de Montecristo, some vessels of war from the seat of hostilities arrive with a vast cargo of sick and wounded Spaniards. 'The Loyal and Ever-faithful' inhabitants of Santiago meet them on board, and some volunteer to convey the infirm soldiers to the hospitals in town. Nicasio and I are pressed into this service by our good friend Doctor Francisco, who is the head medical officer of the garrison. Each soldier, as he is landed, is placed on a canvas stretcher, provided with a couple of stout poles, and in this manner he is borne on the shoulders of four volunteers. When all have safely disembarked, a procession is formed, and headed by a band of music, we march slowly through the streets in the direction of Santa Ana, where the military hospital is situated. The distance is about two miles, and we have to move with extreme care so as to aggravate as little as possible the sufferings of the wounded men.

The Pearl of the Antilles, or An Artist in Cuba — Part 70

The individual whom Nicasio and I, assisted by a couple of friends, have volunteered to convey, is the young Spanish officer Don Manuel, the betrothed of Don Benigno's daughter. He does not appear to be seriously wounded, for he chats pleasantly with us on the way and gives us a vivid description of his late experiences.

The Pearl of the Antilles, or An Artist in Cuba — Part 70