"What do you mean by that?" asked Ruth, somewhat mystified.

"I mean this, Miss Morton. I do not believe that there was anyone in your room to-night. I do not believe that there has ever been anyone there. But I _do_ believe that the two letters we found there were introduced from without, in some mysterious way, at the end of a long pole, or rod. And I think that what frightened you so to-night was merely a mask, a grotesque representation of the seal used on the letters, and pushed toward you in some way, as you lay in bed for the purpose of terrifying you."

The Film of Fear — Part 44

"I cannot say. But it has occurred to me that these people, whoever they are, that are trying to injure you, may not intend any physical violence at all, at least for the present, but may be depending solely upon the terrible and insidious power of suggestion. You must bear this possibility in mind, and try to control your fears. I can readily believe that thirty days of this sort of persecution, and you would be a physical and mental wreck. But we shall stop it. You need have no fears on that score." Mrs. Morton turned to her daughter with a few words of explanation.

The Film of Fear — Part 44

"Mr. Richards, or rather, Mr. Duvall, is not a newspaper man, Ruth, but a detective, who is trying to bring the wretches who are annoying you to justice. I feel every confidence in him."

The Film of Fear — Part 44

Ruth turned toward Duvall a very white and pathetic face.

"I hope you will succeed, Mr. Duvall," she said, in a weak voice. "I cannot stand much more."

"I shall, Miss Morton. And now," he turned to Mr. Baker, "I think we had better go, and let Miss Morton get some rest. I will come here in the morning, Mrs. Morton," he continued, addressing the girl's mother, "and we will consider further the question of your moving to a hotel. Meanwhile I do not think you have anything further to fear this evening. Good night."

Before leaving the apartment he made another examination of the marks upon the bedclothes, then closed and fastened both windows, and locked the door of the room.

"You will come to the studio to-morrow, of course."

"By all means. I shall come down with Miss Morton and her mother. That will give us an opportunity to investigate further the matter of the missing photograph, and also to talk over that plan I had in mind concerning the new film you are to show at the Grand to-morrow night. It is barely possible that, by means of a plan I have in mind, we may be able to locate the person or persons responsible for all this trouble."