24 Five-Cent Libraries at $40 each $ 960. Short fiction 71.50 -------- Total $ 1031.50
For cold brutality perhaps the rejection slip worded as below is unequalled:
We are sorry to return your paper, but you have .
Before Mr. Karl Edwin Harriman, of The Red Book, had ventured into the editorial end of the writing trade, he wrote an article on an order from a certain Eastern magazine. Later, that magazine decided that it could not use the article, although it had been paid for, and, with Mr. Harriman's permission, turned it over to an agent to market elsewhere.
The agent, not knowing Mr. Harriman had associated himself with a certain magazine, sent the manuscript to that publication, in the ordinary way.
It was up to Mr. Harriman, then, to consider it in an editorial capacity. He was unable to purchase the manuscript, and returned it to the agent with a reproof for having submitted such an article, and indicating that the author had a great deal to learn before he could feel justified in seeking a market among the best known magazines.
Where does the writer get his plot-germs, the raw material which he puts through the mill of his fancy and finally draws forth as a finished and salable product? Life is a thing of infinite variety, and the plot-germ is a thing of Life or it is nothing. Being a mere basic suggestion of the story, the germs must come from the author's experience, or from the experiences of others which have been brought to his attention. Unconsciously the germ lodges in his mind, and his ingenuity, handling other phases of existence, works out the completed plot.
It follows that the richer an author's experience and the more ardent his imagination the better will be the plot evolved, providing his fine sense of values has been adequately cultivated. But no matter how adventurous and varied a personal experience, or how warm the fancy, or how highly cultivated the mind in its adaptation of fact to fiction, the experience of others compels attention if a writer's work is to be anything more than self-centered.
Newspapers, chronicling the everyday events of human existence, have not only suggested countless successful plot-germs but have likewise helped in the rounding out of the plot. An editor wrote Edwards, as long ago as March 30, 1893: "What we require in our stories is something written up to date, with incidents new and original. The daily press is teeming with this raw material." This fact is universally recognized, so that very few authors neglect to avail themselves of this source of inspiration.