"My dear, you must not be discouraged; I am sure you did as well as you could; and the fact is, we have a very high standard here," the school-mistress said.
It happened, however, after two or three of these failures that Cicely, sent by Miss Millicent Blandy on a special message into that retired and solemn chamber, where Miss Blandy the elder sister sat in the mornings supervising and correcting everything, from the exercises to the characters of her pupils, found the head of the establishment with the drawing-master looking over the productions of the week. He had Mab's drawing in his hand, and he was shaking his head over it.
"I don't know what to say about the youngest Miss St. John. This figure is well put in, but her sky and her distance are terrible," he was saying. "I don't think I shall make anything of her."
When Cicely heard this she forgot that she was a girl at school. She threw down a pile of books she was carrying, and flew out of the room without a word, making a great noise with the door. What she ought to have done was to have made a curtsy, put down the books softly by Miss Blandy's elbow, curtsied again, and left the room noiselessly, in all respects save that of walking backward as she would have done at Court. Need I describe the look of dismay that came into Miss Blandy's face?
"These girls will be my death," she said. "Were there ever such colts?--worse than boys." This was the most dreadful condemnation Miss Blandy ever uttered. "If their aunt does not insist upon drawing, as she has so little real talent, she had better give it up."
At this moment Cicely burst in again breathless, her hair streaming behind her, her dress catching in the door, which she slammed after her. "Look here!" she cried; "look here, before you say Mab has no talent!" and she tossed down on the table the square blue-lined book, which her sister by this time had almost filled. She stood before them glowing and defiant, with flashing eyes and flowing hair; then she recollected some guilty recent pages, and quailed, putting out her hand for the book again. "Please it is only the beginning, not the end, you are to look at," she said, peremptory yet appealing. Had Miss Blandy alone been in the seat of judgment, she would, I fear, have paid but little attention to this appeal; but the old drawing-master was gentle and kind, as old professors of the arts so often are (for Art is Humanity, I think, almost oftener than letters), and besides, the young petitioner was very pretty in her generous enthusiasm, which affected him both as a man and an artist. The first page at once gave him a guess as to the inexpediency of examining the last; and the old man perceived in a moment at once the mistake he had made, and the cause of it. He turned over the first few pages, chuckling amused approbation. "So these are your sister's," he said, and laughed and nodded his kind old head. When he came to a sketch of Hannah, the maid-of-all-work at the rectory, the humour of which might seem more permissible in Miss Blandy's eyes than the caricatures of ladies and gentlemen, he showed it to her; and even Miss Blandy, though meditating downright slaughter upon Cicely, could not restrain a smile. "Is this really Mabel's?" she condescended to ask. "As you say, Mr. Lake, not at all bad; much better than I could have thought."