About this time of inception and premonition, say 1113, Abelard undertook to examine the instruction given by William’s teacher, Anselm of Laon, who there vegetated as dean of the cathedral church. We must not confuse his name with that of the great Archbishop of Canterbury, whose method and science have outlasted the most of his contemporaries, and whom Neander styles “the Augustine of the twelfth century.” Had he been the teacher and Abelard the pupil, history might have made a different record. A profounder and a more reverent line of thought might have affected the acute and daring mind of the rising dialectician. And, above every other consideration, the new philosophy might have contained those elements of religion whose absence neutralized for centuries that wholesome independence which held mere dogmatism cheap as compared to the sacred light of truth. It would, indeed, have been well if such an Anselm had been at Laon, but the dean was a weak and futile person. And so it was inevitable that Abelard should again be in trouble and almost in disgrace, but even in his pathetic _Historia Calamitatum_ the pupil did not forget to satirize his master. “He was that sort of a man,” he says, “that if any went to him being uncertain he returned more uncertain still.... When he lit a fire he filled his house with smoke, but he did not brighten it with light.” He adds, sarcastically, that Anselm’s philosophy always suggested to his mind the story of the fig-tree that our Lord cursed because it bore plenty of leaves and no fruit.

Abelard himself, however, was a genuine educator, and many bishops and other ecclesiastics, with nineteen cardinals and two popes, came from the ranks of his pupils. He loved liberty, although he loved it to that extent to which his own will—and no other authority, human or divine—restricted it. In this he differed from Anselm of Canterbury, who loved liberty, not according to license but according to law. Mere freedom to inquire, to complain, or to theorize, does not invariably carry with it profitable results. And Abelard—whose very freedom was in itself a noble revelation to the shackled intellects of his age—committed the grave error of supposing that the sweep of a free hand would certainly give lines of beauty and forms of grace. Something deeper than the mere distaste of false opinions is needful for this. Art, meditation, truth—all must lie beneath the O of Giotto or the masterly strokes of Apelles. And our rhetorician would have done well to have confined himself to the _Trivium_—grammar, rhetoric, and dialectics. When he undertook theology he first quarrelled with Anselm of Laon, and next he encountered all Christendom and Bernard of Clairvaux. His was the fatal blunder of every “free inquirer” who forgets reverence, and who, in his pride of intellect, may likely fall as the angels fell. Surely no Lucifer ever plunged more swiftly down from heaven’s battlements than did poor Peter Abelard from the dizzy height of his sudden success.

The Latin Hymn-writers and Their Hymns — Part 165