527 The Prelude is also attributed to J. L. Krebs, a pupil of Bach.

530 Ernst Naumann remarks, “Das Stück kann recht gut von Seb. Baoh herrühren.” The text is complete, and the omission of the Prelude from the Novello edition is to be regretted.

Johann Sebastian Bach — Part 159

531 A transcription of the second Sonata for Solo Violin, in A minor, See B.G. XXVII. (1).

Johann Sebastian Bach — Part 159

532 A transcription of the third Partita, in E major, for Solo Violin. See ibid.

Johann Sebastian Bach — Part 159

533 From the third Sonata for Solo Violin, in C major. See ibid.

534 Both Sonatas are arrangements of instrumental Sonatas in J. A. Reinken’s “Hortus Musicus.” See Spitta, i. 430.

535 Both Sonatas are arrangements of instrumental Sonatas in J. A. Reinken’s “Hortus Musicus.” See Spitta, i. 430.

536 After a Sonata movement by J. A. Reinken.

537 After a Fugue by J. C. Erselius. The original is given in Anhang II. of the volume.

538 Only Nos. 1, 2, 4, 5, 7, 9, 14 are derived from Vivaldi. The others are founded on Benedetto Marcello (No. 3), Duke Johann Ernst of Weimar (Nos. 11, 16, and perhaps 13).

539 The Toccata is by Henry Purcell. See Grove, vol. iii. p. 857.

540 The volume also contains a Variant of the first Organ Concerto (B.G. XXXVIII.).

541 The Concerto is an arrangement of one by Antonio Vivaldi for four Violins, the original of which (in B minor) is given in the Appendix to the volume.

542 Omitting the vocal numbers, movements printed elsewhere, and the “Menuet fait par Mons. Böhm,” Peters’ Bk. 1959 contains the remaining twenty numbers of the Notebook. They are indicated in the above index by a P in a bracket.

543 A separate Preface to the reprinted Suites is by Ernst Naumann. It is dated 1895.

544 Perhaps an arrangement of an orchestral piece. See Schweitzer, i. 342 n.

545 The Appendix to the volume contains addenda to the Violin Concerto in A minor (see B.G. XXL. (1)) and Cantata 188 (see B.G. XXXVII.). Also the Zurich and London texts of the “Welltempered Clavier” (B.G. XIV.), with critical notes.

546 The Preface is dated 1899. The volume was issued in 1900.

547 The original words are “Die Schätzbarkeit der weiten Erden.”

548 The title-page is dated 1913 and the Preface “Im Advent auf 1914.”

549 The Aria is no. 20 of A. M. Bach’s “Notenbuch” for 1725. See E.G. XLII. (2) no. 20.