'Well, it's partly the present style,' said Edie; 'but I took the notion of the bodice partly too from that Vandyck, you know, in the Palazzo Bossi at Genoa.'

'I remember, I remember,' Harry answered, contemplating her with an admiring eye. 'Now just turn round and show me how it sits behind, Edie. You recollect Théophile Gautier says the one great advantage which a beautiful woman possesses over a beautiful statue is this, that while a man has to walk round the beautiful statue in order to see it from every side, he can ask the beautiful woman to turn herself round and let him see her, without requiring to take that trouble.'

Philistia — Part 19

'Théophile Gautier was a horrid man, and if anybody but my brother quoted such a thing as that to me I should be very angry with him indeed.'

Philistia — Part 19

'Théophile Gautier was quite as horrid as you consider him to be, and if you were anybody but my sister it isn't probable I should have quoted him to you. But if there is any statue on earth prettier or more graceful than you are in that dress at this moment, Edie, then the Venus of Milo ought immediately to be pulverised to ultimate atoms for a rank artistic impostor.'

Philistia — Part 19

'Thank you, Harry, for the compliment. What pretty things you must be capable of saying to somebody else's sister, when you're so polite and courtly to your own.'

'On the contrary, Popsy, when it comes to somebody else's sister I'm much too nervous and funky to say anything of the kind. But you must at least do Gautier the justice to observe that if I had described a circle round you, instead of allowing you to revolve once on your own axis, I shouldn't have been able to get the gloss on the satin in the sunlight as I do now that you turn the panniers toward the window. That, you must admit, is a very important aesthetic consideration.'

'Oh, of course it's essentially a sunshiny dress,' said Edie, smiling. 'It's meant to be worn out of doors, on a fine afternoon, when the light is falling slantwise, you know, just as it does now through the low window. That's the light painters always choose for doing satin in.'

'It's certainly very pretty,' Harry went on, musing; 'but I'm afraid Le Breton would say it was a serious piece of economic hubris.'