That is why we have so many typographical marks signed with the Lorraine cross. We propose to enumerate all of those which we have actually had before us. As it was impossible to arrange them chronologically, we have adopted the alphabetical order.
ALARD (GUILLAUME), bookseller at Paris in 1550. See FEZANDAT.
BADE (CONRAD), printer and bookseller at Paris from 1546 to 1560, when he withdrew to Geneva for religious reasons.--One mark, which appears on the first edition of Théodore de Bèze's 'Poemata' (1548); the volume contains also a portrait of the author signed with the double cross. Conrad's mark, like that of his father, Josse Bade, represents a printing-press. It contains also the words 'Prelum ascensianum'; but, instead of being inscribed in a cartouche on the press, they are in two cartouches, one at the top, the other at the bottom, of the border (Silvestre, no. 867). When Conrad betook himself to Geneva, Eloi Gibier,[449] a printer of Orléans, bought the mark. It afterwards passed to Fabian Hotot, a printer in the same city, who was using it in 1609; but before using it he had the word 'Ascensianum' removed.
BESSAULT (THIBAUT, and JEAN, his son), booksellers at Paris. See REGNAULT (BARBE).
BONFONS (JEAN), bookseller at Paris from 1548 to 1572.--One mark (Silvestre, no. 125), representing a dove on a tree, within a circle formed by a serpent, and on the outside of the circle this sentence from the Bible: 'Estote prudentes sicut serpentes, et simplices sicut columbæ.' I have seen it in a quarto edition of 'Le Petit Jehan de Saintré,' published by Bonfons in 1553, in gothic type.
BUON (GABRIEL). See PORTE (MAURICE DE LA).
CALVARIN (SIMON), printer-bookseller at Paris, from 1553 to 1593. Two marks, representing a woman, seated, surrounded by the paraphernalia of the arts and sciences, and holding in one hand a palm-tree decorated with three wreaths. I have seen one of these marks, the larger, in an edition of Rodolphe Agricola's book entitled: 'De Inventione dialectica libri tres' (quarto, 1558), on the title-page of which is this imprint: 'Parisiis, ex officina Simonis Calvarini, in vico Belovaco, ad Virtutis insigne.'[450] The smaller one appears at the end of a book entitled: 'Conservation de santé et prolongation de vie, etc., composé premierement par noble homme H. [Hieronime] Monteux, conseiller et medecin ordinaire du roi François II, et nouvellement traduit en nostre langue fraçoise par maistre Claude de Valgelas, docteur medecin, etc. Paris, chez Simon Calvarin, rue Saint-Jacques, à la Rose blanche couronnée, 1572.' This is a 16mo, of which there is a copy in the Bibliothèque Nationale. This Simon was, I have no doubt, a son of Prigent Calvarin, printer at Paris from 1524 to 1582, whose mark is very different (Silvestre, no. 137).[451] It represents two persons holding a shield which hangs from a vine, with these sentences surrounding them: 'Deum time,' 'Pauperes sustine,' 'Finem respice,' 'Prigent Calvarin.' Simon, having set up for himself during his father's lifetime, had to adopt a different mark.