The force of habit is strong, and she soon fails into her day-dreams again. She fancies she has dismissed all her admirers, and now stands alone in the world. She invests herself with astonishing talents; no longer wastes her energies in making bonnets and taking in sewing. She has had first-rate masters for every accomplishment under heaven, and every possible branch of education, from moral philosophy down to--hair-dressing. She dances like Vestris--sings like Catalani--and plays like Moschelles. With youth, beauty, and shining talents, she is received into the highest society, and the mystery which hangs over her early days but adds a piquancy to the charm of her numerous fascinations: for the great world, so monotonous in itself, loves the excitement of curiosity. She soon becomes the cynosure of fashion, adored by all the gentlemen--envied by all the ladies. Still she is not satisfied with mere drawing-room admiration. She will go upon the stage. She comes out in an opera of Scribe, composed by Auber, and arranged by Heiberg. The theatre rings with applause; bouquets are showered at her feet; the bright stars of Copenhagen--Madame H----, and Mademoiselle W----, have, at length, found a rival, and to this rival a large salary is offered by the manager of the theatre. She has scarcely finished reading his highly complimentary letter, when another is brought to her. In haste she opens it, and, casting her eyes on the signature, she sees, 'Sigismund Frederick, Count of R.' She starts with surprise; the young, the rich, the distinguished count, assuring her that he cannot live without her, offers her his heart, his fortune, and his hand! But, just then, amidst the glow of her gratified vanity and ambition, a small voice whispers the name of--_Ludvig_. He has been rough and rude to her; he left her in anger; he deserves no remembrance from her; yet--her heart yearns towards him--she feels that she can forgive and forget; that she can repay good for evil, and can sacrifice everything for him she loves.
Poor Lisette passes into a state of great excitement between the phantasms of her imagination and the real feelings of her soul; she actually rises to answer the visionary letter, and she writes as follows:--